08 Sep 2015 — Evelyn Malinowski
What makes abstract music beautiful? Take Savant's "Using Words," opening track from the Artificial Dance LP, out September 4th on RVNG Intl. The bright keys and guitar feedback strown throughout the song give the seven minute sonic wallpaper a sense of pleasant curiosity. If they were taken away, we'd be left with the darkly comical, Morricone-esque pieces of some kind melody. The pieces would equate to ongoing, gentle inquisition, but with a harder, more gutter punk exterior.
This likening may seem laughable when learning about the leader behind the work. Seattleite Kerry Leimer, long-time avantgardist and label runner, is hardly gutter punk. Highly intelligent, auteurist, rhythmic enthusiast is more like it, although Seattle always has but grunchy edge to it. In any case, Leimer's imprint, Palace of Lights, offers at least 168 full hours of soundtrack to your life. It could be private, ambient and abstract listening while at work in your cubicle, feeding a guilty pleasure for insane music in a world made of pretend sensibility. It is on POL's homepage that we learn that Artificial Dance is a re-edition from Savant's original, self-titled POL release, one briefer, shyer, less heady. A Period of Review is where RVNG first got involved with Leimer, and it differs from Artificial Dance in several ways, one being that there's a lot more tracks on the former release. Secondly, A Period of Review is a lot more muzak-y, melody-centric, and, well 1970s-feeling, whether it in its entirety is a product from that era or not. In the RVNG shop you can order a POL CD bundle which features three K.Leimer ambient releases and Marc Barreca's Tremble, an album which Textura says "takes mere seconds for it to swell into the robust form it will assume for its duration.... a word like organic is less applicable than geologic, given the immense tectonic force with which its material convulses."
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