Ous Mal: “Merilaulu (MSOTT’s Mortem Obire Mix)”.

28 Nov 2011 — Henning Lahmann
Helsinki, Finland psych experimentalist Olli Aarni aka Ous Mal repeatedly mesmerized us with his stellar CD on Australian label Preservation and a very worthwhile split cassette via Karelian imprint Full Of Nothing earlier this year. However, we just received the rather sad news that Aarni is calling it quits, or at least his current project, to return next year with a new album named Valot kaukaa under his new moniker Nuojuva. For the time being, his Australian publisher has decided to gather a delightful selection of international fellows to wave farewell by remixing some Ous Mal stuff, including Black Eagle Child, Deep Magic, Nova Scotian Arms, and Rachel Evans' Motion Sickness Of Time Travel, whose contemplating soundscapes of the "Mortem Obire Mix" of "Merilaulu" you may listen to below. Ous Mal is dead . . . long live Ous Mal is now available via Preservation. Limited edition of 100 copies. Read more → Helsinki, Finland psych experimentalist Olli Aarni aka Ous Mal repeatedly mesmerized us with his stellar CD on Australian label Preservation and a very worthwhile split cassette via Karelian imprint Full Of Nothing earlier this year. However, we just received the rather sad news that Aarni is calling it quits, or at least his current project, to return next year with a new album named Valot kaukaa under his new moniker Nuojuva. For the time being, his Australian publisher has decided to gather a delightful selection of international fellows to wave farewell by remixing some Ous Mal stuff, including Black Eagle Child, Deep Magic, Nova Scotian Arms, and Rachel Evans' Motion Sickness Of Time Travel, whose contemplating soundscapes of the "Mortem Obire Mix" of "Merilaulu" you may listen to below. Ous Mal is dead . . . long live Ous Mal is now available via Preservation. Limited edition of 100 copies.

Video Sunday Vol. 7

27 Nov 2011 — Tonje Thilesen
This week's Video Sunday features music videos from James Spankie, Heirs, Echo Lake, Gullfisk, High Highs and The Weeknd. James Spankie - Anchor (by Runaway) Heirs - Hunter (by Brent Stegeman) Echo Lake - Buried at Sea (by Natalia Stuyk) Gullfisk - Move Me (by Miguel Bidarra) High Highs - Flowers Bloom (by Video Marsh) The Weeknd - The Knowing (by Mikael Colombu) Read more → This week's Video Sunday features music videos from James Spankie, Heirs, Echo Lake, Gullfisk, High Highs and The Weeknd. James Spankie - Anchor (by Runaway) Heirs - Hunter (by Brent Stegeman) Echo Lake - Buried at Sea (by Natalia Stuyk) Gullfisk - Move Me (by Miguel Bidarra) High Highs - Flowers Bloom (by Video Marsh) The Weeknd - The Knowing (by Mikael Colombu)

Video: Casa Murilo ft. Draup - “Yellow Umbrellas”.

26 Nov 2011 — Tonje Thilesen
Prepare to get some serious goosebumps after listening to the ridiculously beautiful live recording of Casa Murilo's "Yellow Umbrellas", taken from their debut album Liting Ships which dropped on Spoon Train Records earlier this year. The Oslo based English/Norwegian six-piece brought their friends in Draup along, and combined with the eternal sound from the girls' glass harmonica, the result is rather astounding. Have a listen below. Original: Read more → Prepare to get some serious goosebumps after listening to the ridiculously beautiful live recording of Casa Murilo's "Yellow Umbrellas", taken from their debut album Liting Ships which dropped on Spoon Train Records earlier this year. The Oslo based English/Norwegian six-piece brought their friends in Draup along, and combined with the eternal sound from the girls' glass harmonica, the result is rather astounding. Have a listen below. Original:

MASCULiN: “ECSTASY”.

26 Nov 2011 — Tonje Thilesen
Splendid new 80's synth love from the suburbs of Tokyo brought to us by the Japanese experimental label CUZMEPAIN, whom already have been putting out quite a few interesting releases so far throughout this year already. We don't know too much about this project as of yet, but the few tunes MASCULiN have up as streaming on their bandcamp page is definitely worth a listen, especially "EMMANUEL" (in my opinion anyway). MASCULiN - ECSTASY MASCULiN - EMMANUEL Read more → Splendid new 80's synth love from the suburbs of Tokyo brought to us by the Japanese experimental label CUZMEPAIN, whom already have been putting out quite a few interesting releases so far throughout this year already. We don't know too much about this project as of yet, but the few tunes MASCULiN have up as streaming on their bandcamp page is definitely worth a listen, especially "EMMANUEL" (in my opinion anyway). MASCULiN - ECSTASY MASCULiN - EMMANUEL

Kösmonaut: “Creation of Time”.

26 Nov 2011 — Henning Lahmann
I've been meaning to write about this project for ages but somehow constantly got held back, but now that the exciting news on Kösmonaut's first vinyl output have reached my eyes and ears it's finally about time to laud the utterly exciting kosmische emanations of Texas experimentalist Patrick R. Park, who's having a tremendously prolific year with a stream of mostly digital-only releases of spaced-out synth excursions heavily influenced by Teutonic electronic psychedelia from its 70s heyday (hence the improper umlaut mark I presume). Below, listen to the track "Creation of Time", originally the opening track of Park's previous full-length Voyage of Time, a slowly and cautiously starting prog-psych banger with swirling, far-reaching synth layers that gradually yet massively metamorphoses into an outright kosmische hymn, wittily conceived and no less than brilliantly executed. "Creation of Time" will be part of Kösmonaut's Kösmonaut I 12 inch, which is gonna be dropped sometime in December by Deep Distance, the newly established sublabel of Dom Martin's The Great Pop Supplement, an offspring inspired by the four colored private pressings of Conrad Schnitzler from the early 70s. Accordingly, each record in the series will be in a different color, with unique, custom-made inserts. Kösmonaut - Creation of Time Read more → I've been meaning to write about this project for ages but somehow constantly got held back, but now that the exciting news on Kösmonaut's first vinyl output have reached my eyes and ears it's finally about time to laud the utterly exciting kosmische emanations of Texas experimentalist Patrick R. Park, who's having a tremendously prolific year with a stream of mostly digital-only releases of spaced-out synth excursions heavily influenced by Teutonic electronic psychedelia from its 70s heyday (hence the improper umlaut mark I presume). Below, listen to the track "Creation of Time", originally the opening track of Park's previous full-length Voyage of Time, a slowly and cautiously starting prog-psych banger with swirling, far-reaching synth layers that gradually yet massively metamorphoses into an outright kosmische hymn, wittily conceived and no less than brilliantly executed. "Creation of Time" will be part of Kösmonaut's Kösmonaut I 12 inch, which is gonna be dropped sometime in December by Deep Distance, the newly established sublabel of Dom Martin's The Great Pop Supplement, an offspring inspired by the four colored private pressings of Conrad Schnitzler from the early 70s. Accordingly, each record in the series will be in a different color, with unique, custom-made inserts. Kösmonaut - Creation of Time

The Soft: “Tropisms”.

24 Nov 2011 — Tonje Thilesen
We simply couldn't let this one pass unheard: The Soft's brand new (and free) EP Hot Summer found it's way to our inbox the other day and has quite literally been on repeat ever since. Defining The Soft's sound is not just a simple task, moving from electronically leaning coral pop to a way more mysterious build-up in the veins of Stay+/Christian Aids (just like "Venus Breath" below): distant, reverbed vocals and partly programmed, partly physically recorded beats — varying from what sounds like a stick being beaten against the wall of a cellar door to fingers snapping to a beat in a large room. Nonetheless, the result is beautiful. The Soft - Tropisms The Soft - Venus Breath
Read more →
We simply couldn't let this one pass unheard: The Soft's brand new (and free) EP Hot Summer found it's way to our inbox the other day and has quite literally been on repeat ever since. Defining The Soft's sound is not just a simple task, moving from electronically leaning coral pop to a way more mysterious build-up in the veins of Stay+/Christian Aids (just like "Venus Breath" below): distant, reverbed vocals and partly programmed, partly physically recorded beats — varying from what sounds like a stick being beaten against the wall of a cellar door to fingers snapping to a beat in a large room. Nonetheless, the result is beautiful. The Soft - Tropisms The Soft - Venus Breath

Listen to James Ferraro’s new project (probably).

23 Nov 2011 — Henning Lahmann
According to Dummy, what you see below could be the first jams surfacing from James Ferraro's new project Bebe Tunes. Not sure if I find the presented evidence conclusive in and of itself, but musically it sure fits Ferraro's recent turn towards glossy iPad pop, plus our dear Londoners might have additional, undisclosed information. In any case this is dope: siri P0P: PEPSI Baby: Life In Hipstamatic – Pepsi Baby: Read more → According to Dummy, what you see below could be the first jams surfacing from James Ferraro's new project Bebe Tunes. Not sure if I find the presented evidence conclusive in and of itself, but musically it sure fits Ferraro's recent turn towards glossy iPad pop, plus our dear Londoners might have additional, undisclosed information. In any case this is dope: siri P0P: PEPSI Baby: Life In Hipstamatic – Pepsi Baby:

Autumn Chorus: “Three Jumps the Devil”.

22 Nov 2011 — Tonje Thilesen
Amiina meets The Antlers' Peter Silberman meets Explosions in the Sky... in a fairytale centered in the deep, mysterious woods. Indeed, Brighton's Autumn Chorus might be the best bandcamp discover I've stumbled upon in quite a long time, recently given the heads up by Trespassers William' Anna-Lynne Williams, whose eternal vocals in fact are featured on the fifth track "Brightening Sky" on their recent debut The Village To The Vale. The 52 minutes long album (which also contains a track spinning for 16 whole minutes) is much like a folk-esque story, bringing us on a journey back in time with both fragile and grand compositions; sometimes evoking feelings of sadness and loss, but also a will of strength when the album's many mindblowing climaxes kicks into your fine ears. Seriously though, you'll love this. Buy the album from bandcamp. Autumn Chorus - Three Jumps The Devil Autumn Chorus - Rosa Read more → Amiina meets The Antlers' Peter Silberman meets Explosions in the Sky... in a fairytale centered in the deep, mysterious woods. Indeed, Brighton's Autumn Chorus might be the best bandcamp discover I've stumbled upon in quite a long time, recently given the heads up by Trespassers William' Anna-Lynne Williams, whose eternal vocals in fact are featured on the fifth track "Brightening Sky" on their recent debut The Village To The Vale. The 52 minutes long album (which also contains a track spinning for 16 whole minutes) is much like a folk-esque story, bringing us on a journey back in time with both fragile and grand compositions; sometimes evoking feelings of sadness and loss, but also a will of strength when the album's many mindblowing climaxes kicks into your fine ears. Seriously though, you'll love this. Buy the album from bandcamp. Autumn Chorus - Three Jumps The Devil Autumn Chorus - Rosa