Kinlaw: “Truth”.

11 Jun 2012 — Henning Lahmann
Dark and gloomy, slowly developing track by Bristol-based producer Kinlaw, who keeps on dropping very promising pieces every other week, leaving us wondering whether there's anything proper coming out anytime soon, cause this feels like his natural next step right now. Till then, dive deep into "Truth". Read more → Dark and gloomy, slowly developing track by Bristol-based producer Kinlaw, who keeps on dropping very promising pieces every other week, leaving us wondering whether there's anything proper coming out anytime soon, cause this feels like his natural next step right now. Till then, dive deep into "Truth".

Vestals: “Forever Falling”.

11 Jun 2012 — Henning Lahmann
Vestals is the solo venture of San Francisco artist Lisa McGee, a project of slow-burning, drone-based dream pop that at times remind me of some kind of more straight-forward, song-centered Grouper. McGee's first work under this moniker, Forever Falling Toward the Sky, is a gentle, shoegaze-informed set of five tracks that are invariably honest and beautiful and sad. Listen to the opening track "Forever Falling" below. Forever Falling Toward the Sky is out June 15 on Root Strata (Boomkat says the LP is already out of stock, but apparently you can still order it via Thrill Jockey). Read more → Vestals is the solo venture of San Francisco artist Lisa McGee, a project of slow-burning, drone-based dream pop that at times remind me of some kind of more straight-forward, song-centered Grouper. McGee's first work under this moniker, Forever Falling Toward the Sky, is a gentle, shoegaze-informed set of five tracks that are invariably honest and beautiful and sad. Listen to the opening track "Forever Falling" below. Forever Falling Toward the Sky is out June 15 on Root Strata (Boomkat says the LP is already out of stock, but apparently you can still order it via Thrill Jockey).

Video: Woebot - “Rave Bum”.

11 Jun 2012 — Henning Lahmann
Very cool video for "Rave Bum" off Hallo, the very worthwhile new full-length by London-based blogger/journalist/artist Matthew Ingram aka Woebot. "Rave Bum", the album's opening track, is a very quick affair, however superb especially for its unmistakably British sense of laconic wit. Spare a penny For the poor Who ain’t trendy Any more Get Hallo digitally here or on CD via Boomkat. (via) Read more → Very cool video for "Rave Bum" off Hallo, the very worthwhile new full-length by London-based blogger/journalist/artist Matthew Ingram aka Woebot. "Rave Bum", the album's opening track, is a very quick affair, however superb especially for its unmistakably British sense of laconic wit. Spare a penny For the poor Who ain’t trendy Any more Get Hallo digitally here or on CD via Boomkat. (via)

Video Sunday vol. 30.

10 Jun 2012 — Tonje Thilesen
Sunday! Which of course also means Video Sunday! Enjoy our weekly selection, this time featuring new submissions by Doldrums, Starcadian, Moons, The Sandwitches, Tomas Barfod, and the latest (and for now, also last) video installment by Sweden's grandiose iamamiwhoami. Doldrums - Copper Girl (by Alessandra Hoshor) The Sandwitches - Heaviest Head in the West (Ada Bligaard Søby) Starcadian - HE^RT (by Starcadian & Rob O'Neill) Moons - Bloody Mouth iamamiwhoami - goods Tomas Barfod - November Skies (by The Great Nordic Sword Fights) Read more → Sunday! Which of course also means Video Sunday! Enjoy our weekly selection, this time featuring new submissions by Doldrums, Starcadian, Moons, The Sandwitches, Tomas Barfod, and the latest (and for now, also last) video installment by Sweden's grandiose iamamiwhoami. Doldrums - Copper Girl (by Alessandra Hoshor) The Sandwitches - Heaviest Head in the West (Ada Bligaard Søby) Starcadian - HE^RT (by Starcadian & Rob O'Neill) Moons - Bloody Mouth iamamiwhoami - goods Tomas Barfod - November Skies (by The Great Nordic Sword Fights)

Green & Gold vol 5.

10 Jun 2012 — Holly Friedlander Liddicoat
I’m not quite sure why exactly, but recently I’ve been listening to a lot of experimental tech/UK garage/house-infused vibes and almost everything else in between. I’m not generally a massive fan of these heavier amalgamations, although I do love a good dose of minimal tech on a cold day, as I trek through the city from place to place. There is something quite inherently soothing about a slight shift in intonation and the rejuvenating repetition that accompanies the basis of any good minimal tech. This month I’ve found I’ve taken things in a bit of a different direction to open up the doors to these genres I know very little about. Perhaps we can discover something to share together. One of my absolute favourite producers at the moment, Wabz, has been releasing a steady array of solid and transcendental-genre pieces as of late. “Sister Moon” combines the soulful and subtle elements of UK garage with distorted vocals to unleash a celestial sense of harmony. Download all of his stuff for free at his Soundcloud, and treat yourself to what I expect heaven to sound like. Wabz – Sister Moon A bunch of great collectives/labels have been popping up and planting their feet solidly in the Australian scene recently. One which has been getting me all excited is Dub Temple Records, having released a beautiful selection of quality product such as this fantastic EP from Brisbane boy Speaker Wrath. An eerie pan-flute cuts through the heavy rumblings of bass in “Ghost in the Trees”, a remanent of otherworldly physiques chasing couples through the depths of the night. Speaker Wrath – Ghost in the Trees Ex-Bon Chat, Bon Rat member Alex Murray has been taking his sound in all new directions under his brand new solo-project Gardland. Currently in Berlin (the home of inspiration), making intensely driven and forthwith beats like “Jaws” here, I am very much excited for his return and a showcase of his wares! “Jaws” was featured on the West in Dust compilation I touched on briefly for Green & Gold 4, but it’s something that I’ve kept going back to the past couple of weeks for a revitalising and invigorating splash in the face. Gardland – Jaws As the wind turns my cheeks to red with it’s lavish bite, 9 times out of 10 I will put Big Sad’s Ghost Club on and let it completely engulf me. Genuine nuances and a soft and reassuring beat emanates a sense of warmth and safety, oozing molten gold as it travels down your spine and soaks into every single muscle from front to back. April saw the release of the very fine two-track EP Missed, but it is Ghost Club that keeps calling me back in all its haunted/warming glory. Big Sad – True Worrier Kepz is a Sydney-based producer, his track “Imaginary Life” having undergone an once-over from New Yorker Enjoyyourshoes. Taking the original hard-driving techno piece, Enjoyyourshoes adds an organic element to the track, intensifying cascading synths and relying on the nature of internal reverberation. This one hits home. Kepz – Imaginary Life (Enjoyyourshoes Edit) I couldn’t just leave you with five tidbits this month, so if you download Green & Gold 5 below, you’ll also receive aural gratification from the likes of Seagram MuralsThe Blank,bærfrensbkinsman and Planète. Download the Green & Gold vol 5.
Read more →
I’m not quite sure why exactly, but recently I’ve been listening to a lot of experimental tech/UK garage/house-infused vibes and almost everything else in between. I’m not generally a massive fan of these heavier amalgamations, although I do love a good dose of minimal tech on a cold day, as I trek through the city from place to place. There is something quite inherently soothing about a slight shift in intonation and the rejuvenating repetition that accompanies the basis of any good minimal tech. This month I’ve found I’ve taken things in a bit of a different direction to open up the doors to these genres I know very little about. Perhaps we can discover something to share together. One of my absolute favourite producers at the moment, Wabz, has been releasing a steady array of solid and transcendental-genre pieces as of late. “Sister Moon” combines the soulful and subtle elements of UK garage with distorted vocals to unleash a celestial sense of harmony. Download all of his stuff for free at his Soundcloud, and treat yourself to what I expect heaven to sound like. Wabz – Sister Moon A bunch of great collectives/labels have been popping up and planting their feet solidly in the Australian scene recently. One which has been getting me all excited is Dub Temple Records, having released a beautiful selection of quality product such as this fantastic EP from Brisbane boy Speaker Wrath. An eerie pan-flute cuts through the heavy rumblings of bass in “Ghost in the Trees”, a remanent of otherworldly physiques chasing couples through the depths of the night. Speaker Wrath – Ghost in the Trees Ex-Bon Chat, Bon Rat member Alex Murray has been taking his sound in all new directions under his brand new solo-project Gardland. Currently in Berlin (the home of inspiration), making intensely driven and forthwith beats like “Jaws” here, I am very much excited for his return and a showcase of his wares! “Jaws” was featured on the West in Dust compilation I touched on briefly for Green & Gold 4, but it’s something that I’ve kept going back to the past couple of weeks for a revitalising and invigorating splash in the face. Gardland – Jaws As the wind turns my cheeks to red with it’s lavish bite, 9 times out of 10 I will put Big Sad’s Ghost Club on and let it completely engulf me. Genuine nuances and a soft and reassuring beat emanates a sense of warmth and safety, oozing molten gold as it travels down your spine and soaks into every single muscle from front to back. April saw the release of the very fine two-track EP Missed, but it is Ghost Club that keeps calling me back in all its haunted/warming glory. Big Sad – True Worrier Kepz is a Sydney-based producer, his track “Imaginary Life” having undergone an once-over from New Yorker Enjoyyourshoes. Taking the original hard-driving techno piece, Enjoyyourshoes adds an organic element to the track, intensifying cascading synths and relying on the nature of internal reverberation. This one hits home. Kepz – Imaginary Life (Enjoyyourshoes Edit) I couldn’t just leave you with five tidbits this month, so if you download Green & Gold 5 below, you’ll also receive aural gratification from the likes of Seagram MuralsThe Blank,bærfrensbkinsman and Planète. Download the Green & Gold vol 5.

Unknown: #006.

09 Jun 2012 — Henning Lahmann
And here it continues, our ongoing, indefinite voyage deep into the Unknown. The sixth transmission just materialized in our own sphere of alleged wisdom, slowly levitating back into the dark. Ignorance is bliss, we'd like to believe, weary and tired as we are. Read more → And here it continues, our ongoing, indefinite voyage deep into the Unknown. The sixth transmission just materialized in our own sphere of alleged wisdom, slowly levitating back into the dark. Ignorance is bliss, we'd like to believe, weary and tired as we are.

Wet Hair: “Camouflage”.

07 Jun 2012 — Henning Lahmann
Others call it "colourfully ecstatic psych-rock with synth-pop influence", which is likewise cheap and totally appropriate. Wet Hair aka the Iowa City, Iowa (duh) trio of Night-People's Shawn Reed, Ryan Garbes, and Justin Tye (replacing Matt Fenner), are back with their new full-length entitled Spill Into Atmosphere, an album that is, well, thoroughly lo-fi and just as heavily psychedelic as expected. Of course it is, we'd like to say, but that shouldn't obscure the bare fact that we're dealing with some of America's most talented underground pop musicians right here, which should leave both the means of production and the overall feel of the record of marginal importance at most, however prominent those features may seem. Instead, it's worth to rather focus on the group's outstanding knack for songwriting and arrangement, which has lead to some of the most fun and engaging songs of the past months. Watch the video for the excellent first single "Camouflage" below. Spill Into Atmosphere is out now on De Stijl. Get it here or digitally here. Read more → Others call it "colourfully ecstatic psych-rock with synth-pop influence", which is likewise cheap and totally appropriate. Wet Hair aka the Iowa City, Iowa (duh) trio of Night-People's Shawn Reed, Ryan Garbes, and Justin Tye (replacing Matt Fenner), are back with their new full-length entitled Spill Into Atmosphere, an album that is, well, thoroughly lo-fi and just as heavily psychedelic as expected. Of course it is, we'd like to say, but that shouldn't obscure the bare fact that we're dealing with some of America's most talented underground pop musicians right here, which should leave both the means of production and the overall feel of the record of marginal importance at most, however prominent those features may seem. Instead, it's worth to rather focus on the group's outstanding knack for songwriting and arrangement, which has lead to some of the most fun and engaging songs of the past months. Watch the video for the excellent first single "Camouflage" below. Spill Into Atmosphere is out now on De Stijl. Get it here or digitally here.

Dedicated To 120 Days.

07 Jun 2012 — Tonje Thilesen
Originally posted on Ja Ja Ja The Norwegian space-techno quartet and obvious NFOP/JaJaJa favourites 120 Days announced today via their Facebook page that they're calling it quits, after two mindblowing records and 11 years of playing together, driving the Oslo-based music scene in a more interesting direction. Here's what they wrote themselves: "Dear friends: After a decade of playing music together, we've now decided to end 120 Days. We would like to thank everyone that has supported us by listening to our music and dancing at our shows. We still have some more live shows to play this summer/autumn with a final gig at Rockefeller September 8th. 120 Days has always been based on the feeling that we needed to make music -not for anyone else, but for ourselves. The four of us are still good friends, but as a musical constellation we've said what we needed to say, and rather than continuing for the sake of continuing, we'll end the journey here. We're very proud of what we've achieved, but everything must come to an end. Thanks Ådne, Arne, Kjetil, Jonas" Below is a little collection of tunes that we'll always remember them by, tunes that made us dance in all crazy ways. Dear 120 Days, we love you. Read more → Originally posted on Ja Ja Ja The Norwegian space-techno quartet and obvious NFOP/JaJaJa favourites 120 Days announced today via their Facebook page that they're calling it quits, after two mindblowing records and 11 years of playing together, driving the Oslo-based music scene in a more interesting direction. Here's what they wrote themselves: "Dear friends: After a decade of playing music together, we've now decided to end 120 Days. We would like to thank everyone that has supported us by listening to our music and dancing at our shows. We still have some more live shows to play this summer/autumn with a final gig at Rockefeller September 8th. 120 Days has always been based on the feeling that we needed to make music -not for anyone else, but for ourselves. The four of us are still good friends, but as a musical constellation we've said what we needed to say, and rather than continuing for the sake of continuing, we'll end the journey here. We're very proud of what we've achieved, but everything must come to an end. Thanks Ådne, Arne, Kjetil, Jonas" Below is a little collection of tunes that we'll always remember them by, tunes that made us dance in all crazy ways. Dear 120 Days, we love you.