in india: “Some Future Spring”.

25 Jan 2012 — Tonje Thilesen
I guess you could say that we're a bit late on this once for once (thanks to Stingby for leading us to them in the first place, however); but considering the fact that NY's collaborative outfit In India and their LP <><><> has gotten so little attention even after a year since the free release at Klånge (curated by Joseph Beers from the band), is to me nothing but mysterious. In India experiments with quirky, psychedelic pop and (children's) bedroom electronica, literally setting no limits to the exploration of their own sound universe. It can be curious, playful or noisy in the one end, however smooth and beautiful (like "Some Future Spring" below) on the other, which makes the impossibly pronounced name of the album an interesting, but weird hour of listening. For the particularly interested, they also unveiled no more than 46 (!) unreleased tracks in two large, and again, free albums named you who cling to the rope of love and you with the golden complexion, so if you feel like there's something missing, go ahead and dig yourself through this massive collection; highly recommended for treasure hunters like ourselves. In India - Some Future Spring In India - Basement Disco Read more →

The NFOP Guide to CTM 2012.

24 Jan 2012 — Henning Lahmann
Starting Monday, January 30, Berlin will host the thirteenth edition of Club Transmediale (CTM), the "Festival for Adventurous Music and Related Arts" that arguably is Germany's most relevant event entirely focusing on music (it is paired with the Transmediale festival for media art). Until February 5 and across various venues, the festival will, under this year's theme "Spectral", "devote itself to a musical and medial review of historic aesthetic designs and all unfulfilled utopias and dystopias", to quote the mission statement: "Ever since unspectacularly leaving the last millennium behind, the feeling has been creeping up on us that, in the face of the simultaneity of a permanent state of crisis and an exponentially expanding technological archive, our entire future now lies in the past. There is no renaissance on the horizon. Instead one has an overriding impression of staggering through or colliding with collective and private phantasmagoria." Hardly surprising, then, to see artistic trends such as "drag, witch house, hypnagogic pop, hauntology, analog synthesizer music, neo-industrial, and drone music" being the main focus of the CTM 2012 program, thus indeed providing a very timely response to the recent backward-looking developments in underground music. Below, we've done some cherry picking, for the complete program and schedule you should go here. Zodiak Revisited, HAU, January 30 to February 1 Last summer, I wrote a brief, rather grim essay on Berlin's music scene and the city's heritage in that regard (it will be published in the first edition of Decoder Magazine, so if you're curious you should support their Kickstarter now), among other things lamenting the lack of true appreciation of Kreuzberg's short-lived yet highly influential Zodiak Free Arts Lab, which served as one of the starting points for the development of kosmische and kraut in 70s West Germany. Most likely in part due to last year's reemerged and repeated evaluation in online media, perhaps most prominently through Altered Zones, this has started to change, and it is a delight to see the CTM organizers jumping at the opportunity (after all the HAU 2, one of the festival's principal performance spaces, is situated in the building that once housed the Zodiak) by initiating Zodiak Revisited, a series of two discussions and three concerts featuring some of the founders and successors of this unique experimental venue. Conrad Schnitzler, Cassetten Concert (c) Archiv Conrad Schnitzler Tri Angle Showcase, Berghain, February 2 A festival that aims at evaluating the otherworldly and the aesthetics of the past in the music of 2012 cannot afford to omit Tri Angle Records, the label which like no one else popularized the darker, eerie and haunting realms over the last one and a half years. On February 2, Berghain's main room will set the stage for Balam Acab (who reportedly sucks live, but we'll see), oOoOO, and Holy Other, supported by Kuedo and Puzzle. For more details check the event's Facebook page. ≠ (not equal), Berghain, February 3 Berghain's recently launched ≠ (not equal) series (with a surreal event on 11/11/11 featuring Demdike Stare, Andy Stott, Raime and Tropic of Cancer) stands for similarly black aesthetics, hence fitting perfectly into this year's CTM theme. Their night on Friday, February 2 will host performances by Opium Hum, Ben Frost with Shahzad Ismaily & Borgar Magnason, Mika Vainio, Morphosis, Roly Porter (feat. visuals by MFO), G.H., and Ancient Methods. Check further details here and watch the trailer below. Further Recommendations Other concert highlights include: Mark Fell (Berghain,Tuesday) The Haxan Cloak, Cut Hands (Berghain Kantine, Wednesday) Stellar OM Source, Heatsick, Ital (Berghain Kantine, Thursday) The Joshua Light Show feat. Oneohtrix Point Never (Haus der Kulturen der Welt, Friday) Co La, James Ferraro (Berghain Kantine, Friday) Grouper with Jeffre Cantu-Ledesma staging Circular Veil, a seven-hour nonstop "audio hypnosis"/"sound environment" (HAU 2, Saturday) Tim Hecker performing his album Ravedeath 1972 live on a church organ (Passionskirche, Saturday) The Joshua Light Show feat. Manuel Göttsching (Haus der Kulturen der Welt, Saturday) Shlohmo, Salva, Hudson Mohawke (Gretchen 1, Saturday) Pole, Hieroglyphic Being, Kassem Mosse (Horst Krzbrg, Saturday) 30 Years of Touch Showcase (Passionskirche, Sunday) CTM.12 Discourse Series Of the accompanying discourse series (further info here), we would like to point to the talk of Geeta Dayal with James Ferraro and Daniel Lopatin "about their approach to the weird psychedelics of increasingly hyper-real realms of consumerism and communication" (HAU 3, Thursday), and to the discussion between Mark Fisher and the Iranian philosopher Reza Negarestani about "the impact of hauntology and the current capitalist state of siege" and "the effects of xeno-communication" (HAU 3, Saturday). Both events are hosted by The Wire. Read more →

Carnivals: “Absences”.

24 Jan 2012 — Henning Lahmann
If #seapunk and/or early nineties jungle rip-offs aren't your thing (no worries, I'm sure you're not alone), here's some soothing and pretty sophisticated contemporary British electronica by Sheffield producer Stewart Green aka Carnivals. Just premiered on TLOBF, the wonderfully smooth and surprisingly textured "Absences" is part of Green's brand new and free internet single that you may download over here. Carnivals - Absences Read more →

Summer Twins: “I Will Love You”.

24 Jan 2012 — Henning Lahmann
Riverside, California twee outfit Summer Twins, consisting of twin sisters (duh!) Chelsea and Justine Brown plus Danny Delgado and Marcio Rivera, made some blog rounds in the summer of 2010 with their shamelessly cute and pretty summer vibes. It's grim January now, but chances are that won't matter anymore after the release of their self-titled debut LP, out tomorrow via Burger Records. Listen to the cheerful album cut "I Will Love You" below, and also revisit "The More I Think of You" from their initial EP The Good Things from August 2010 (not on the album), a wonderful piece of indie pop in its purest form. Previously: Summer Twins - The More I Think of You Read more →

First Listen: “The Lemon Tape”.

23 Jan 2012 — Henning Lahmann
Now that 2011 is finally gone and we're all looking into the rising sun that is the glory of 2012, so to speak, one might be inclined to suggest that last year's interesing yet futile debates on the justification of nostalgia in contemporary pop music should somehow be over by now, but most of today's reviews of Cloud Nothings' probably quite excellent album "Attack on Memory" prove otherwise. Enter Montréal's Christian Richer, whose (unfortunately still unreleased) album 1968, recorded under his psych-infused guise The Haiduks, was nothing but a full embrace of late sixties pop, unabashedly and indeed rather shamelessly nostalgic, not to say: retromanic. Yet to wipe away all possible misunderstandings, what we were facing with 1968 was neither a "plundering of the past" nor a "fatal attraction" whatsoever but a means of cultural production that civilizations have created since time immemorial: the tribute. And above all, in Richer's case it was a marvelously beautiful, truly original yet still faithful and honest tribute to pop music's Golden Age. It is from this particular angle, and not through Simon Reynolds' eyes, that one ought to look at The Lemon Tape, the "psychedelic pop experience" that is Richer's latest project, a twelve-track cassette which will be released soon via Frank Ouellette's Hobo Cult and his own, newly founded tape imprint Kinnta Records. The compilation gathers contributions from some very exciting exponents of the Montréal underground, including tracks by two of Richer's countless ventures, Élément Kuuda and The Haiduks (delivering one of the collection's standouts with "A Tide Through The Flames"), who are not exclusively treating the psych-pop realm but who also indulge into the temporally related sounds of library music's heyday, that certain, mostly British tradition of production music that recently regained some attention and appreciation with the reissues of Daphne Oram's oeuvre and the output of London's excellent Public Information label. So anyone who's seeking music that's pushing boundaries, step aside (and come back tomorrow). All others who are just looking for some crazy good music that aims at providing a playful, skillful and just plain awesome reverence to one of pop music history's greatest eras, take an exclusive look at three accompanying videos, all made by Moduli TV aka Frank Ouellette, and listen to three seriously gorgeous tracks from this excellent compilation. Check the tracklist below: Side A: 01 The Reveens - Twisted Games 02 Brave Radar - A Spike 03 The Haiduks - A Tide Through The Flames 04 The Capital of Plastic Daffodils - Princess 05 Bataille Solaire - Harpe Pierreries Chatoiement 06 Jane L. Kasowicz - Looking for Jim Sullivan Side B: 01 The Yesteryears - Never My Love 02 Einar Leiknes - Hvordan 03 Léopard et Moi - Prend de Nouvelles Formes 04 Tomato Saucers - Cosmique Love 05 L'Oeil Nu - Trance Oedipienne 06 Élément Kuuda - Insomnie Astral The Capital of Plastic Daffodils - Princess Brave Radar - A Spike L'Oeil Nu - Trance Oedipienne Read more →

Premiere: Anthony Drawn - “E.S.T.R.I.P. feat. Joshua Keyes”.

22 Jan 2012 — Tonje Thilesen
Eearlier this month, we reported about the German producer Anton Pfurtscheller aka Anthony Drawn from Mainz, and his current work with London's Teknical Development on his EP Ghost In The Shell. However did we forget to inform you all about Anthony Drawn's debut album A Beautiful Fragile Balance; released today over at Sicht Exot. In the veins of this, we're giving all you beautiful people a first listen to the outstanding "E.S.T.R.I.P" featuring Joshua Keyes; a moody, exploring track dedicated to the Swedish jazz trio Esjorn Svenson Trio, one of Anton Pfurtscheller's biggest inspirations in music; of which the lead singer recently passed away. Order A Beautiful Fragile Balance in digital or vinyl format via here. Highly recommended. Read more →

Video Sunday vol 13.

22 Jan 2012 — Tonje Thilesen
This week on Video Sunday, we've selected videos featuring Matthew Dear, Me & My Drummer (whom played an outstanding set together with Einar Stray at Berlin's .HBC yesterday), Jacaszek, Active Child, O F F and Bonobo x Letherette. Matthew Dear - In The Middle (I Met You There) [ft. Jonny Pierce of The Drums] (directed by Morgan Beringer ) Me & My Drummer - You're A Runner (by Stephane Leonard and Martin Eichhorn) Perfume Genius - Hood (directed by Winston H. Case) Jacaszek - Dare Gale (by Pedro Maia) Active Child - Hanging On (directed by: T.S. Pfeffer & Robert McHugh) O F F - Be Around U Bonobo - All In Forms (Letherette Remix) Read more →

The-Drum announces Heavy Liquid 12”.

20 Jan 2012 — Tonje Thilesen
We've been keeping in touch with Brandon of the Chicaco based, dark R&B-electronic duo The-Drum since their (at first) mysterious emerge with the track "Omar" last year, later followed up by a few creations from their EP Heavy Liquid on Soundcloud. We're happy to finally announce that Heavy Liquid is available for pre-order, and will start shipping on the 31st of January via Audraglint Records, limited to 300 beautiful white vinyls for your fine ears to enjoy. Have a first listen to two splendid outtakes exclusively below — which unfortunately aren't included in the album (for some reason), but still lean on that deliciously disturbing, R&B infused sound. The-Drum - Oxblood The-Drum - Let Me While your at it, we highly recommend you to take a peak at their most recent collab with SICH MANG, the excellent Chicago production duo consisting of Rand Sevilla and Eric Lee Gale (who is also involved in NFOP favs Golden Birthday) in the veins of the one and only Teams. Read more →