Phondupe “Twofriend”

13 Dec 2013 — Parker Bruce

Phondupe (two guys originally from Australia but now in Brooklyn and London respectively) just came out with a new EP last week called Greenhouse. "Twofriend" has a chopped and screwed grumbling sound going on as if a scary animal is stirring in its sleep. Very good stuff here.

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Watch: Yiota “Descend (feat. Soliz)”

12 Dec 2013 — Trey Reis

The crew behind this Blankstairs label has been helping push the Pacific Northwest wav(e) of electronic music to a level as progressive and unique as any of the other bastions of creative, young beat music ringing out across the various locations of the American radar of Web music. Between their smatterings of Beatogether performances throughout the often unexplored all ages venues of Portland, their coast-combining audio-visual pieces, and guest mix appearances, it’s no surprise that the label, just under six months old, is only now seeing its second release. But it isn’t a matter of finding the time to focus on releasing 001’s, 002’s, 003’s, but rather a thorough approach to patient music in an age of production where flooding Twitter, Tumblr, and Soundcloud with hourly postings can bring as many new listeners as the quality of the music in the links or embeds posted.

"Isolation is the space in which I exist. But I am provided light through an Idea, an idea that defines me not as an individual in the infinite but as a part of a whole,” Yiota’s Teo Wollrabe says of his music.

It’s a fitting concept, considering the nature of the four tracks comprising the duration of his upcoming Blankstairs-released, self-titled EP, which move at a pace more often associated with textural ambience than dance music. But the far-reaching selection of percussive sounds and pitch-affected vocals repurposed and explored in the whole of current beat music switches places here with the wall of ambient waves, scattering all of the sounds typically considered the driving forces in a beat, among the barren branches of tree silhouettes in Winter, while a cold wind swirls into the foreground here, forcing our attention away from the “beat,” the “drop,” or the “harmony” toward the frigid textures skating the line between electronic music and noise. This is the isolation in which Yiota’s self-titled EP exists, and it’s not the kind associated with standing alone somewhere devoid of civilization, but rather a kind of solitary confinement on the top of a building comprising part of a desolate city landscape, where one can see the hustle and bustle of the crowds below, but can’t seem to find a way to descend down to join them.

The video accompanying “Descend (feat. Soliz)” communicates this isolation perfectly. Filmed by Blankstairs creators Nathaniel Young and Warren Mattox, and edited by Portland visual artist, Alex Geerken, the shots flicker in between flashes of cityscapes and jittery human movements, like light through tree branches as a movement of clouds slowly rolls in to devour it.

Considering every aspect of this release: from the music itself, to the label releasing it, to the visual accompaniment, the release of this EP serves as a statement of purpose from the entire Blankstairs collective, bringing thought, focus, and patience to a whole faction of music otherwise concerned solely with haste in its inherited attempt to maintain the fleeting attention of an overwhelmed culture. It’s a breathe of fresh air and it’s moving in with the heaviness of an oncoming storm front.

Yiota's self-titled EP is out December 17 on Blankstairs.

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Beat Culture “Drifter (ft. Psychic Twin)”

12 Dec 2013 — Parker Bruce

Kaya Kaya Records along with B3SCI Records are putting out a 7" by Yale student Sunik Kim, more commonly known as Beat Culture, on January 21. Here's "Drifter," which features Brooklyner Psychic Twin.  The beat snips and dark sounds jut down crookedly.  Psychic Twin whisps and whirls, "ha ha"-ing and "hoo hoo"-ing. It all would fit in nicely with Major Lazer's "Get Free."  The pre-order can be found here.

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Watch: Doomsquad “Ovoo”

12 Dec 2013 — Parker Bruce

Canadian trio Doomsquad's new video for "Ovoo", which recently came out on No Pain in Pop/Hand Drawn Dracula, calls to mind all bad things that happen in the woods (see Xavier Dolan's Les Amours Imaginaires, The Hole, The Hunger Games, or any horror movie involving a "cabin in the woods" ever). "Ovoo" has trilling vocals and pan flutes which we will hopefully hear more of on Kalaboogie, their first album, which comes out in February. Find "Ovoo" here and here.

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Julia Holter “Willow Weep (2013 Remaster)” (exclusive)

10 Dec 2013 — Henning Lahmann

Originally released by Human Ear Music in 2007, Julia Holter's debut EP Eating the Stars saw its first reissue on cassette by Tokyo-based imprint Sixteen Tambourines in early summer of 2011 in a tiny edition of 40 copies, only a few months before the LA-based artist hit it off with her first proper full-length, the acclaimed Leaving Records release Tragedy. Over the years, much has been written about Holter's evolution from a lo-fi leaning bedroom artist to today's composer who is embracing high-end studio environments for the opulent orchestral arrangements which could be heard on this year's outstanding LP Loud City Song (for example by this humble author, in case you speak German; sadly never found the time to work on a translation), so there's probably no need to recount that narrative right now. After having released three albums within three years that quite well map this development, culminating in Holter being signed by Domino, surely one of the most 'major' of all operating indie labels, the time however seems right for a little contemplation, embodied by a Human Ear holiday special: a handmade, remastered re-release of Eating the Stars.

In label head Jason Grier's own words: "The music has been completely remastered, track-by-track, incorporating vintage analog outboard sounds and re-amplification of many instrumental parts to bring warmth and fullness to the mix. The packaging is hand-folded 300gsm South-Indian Khadi cotton rag paper, red vellum inner lining. The envelope is folded like a 19th century letter, with the edges gold-leafed by hand, and finally sealed with red scented wax."

Below, you may take an exclusive listen to the "new" version of one of my all-time Holter favourites, the beautifully low-key EP closer "Willow Weep". Check it out, and for purely academical reasons, listen to any piece off of Loud City Song immediately afterwards.

Pre-order Eating the Stars now via HEM.

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NFOP Recommends: Five Years of Shameless/Limitless

10 Dec 2013 — Henning Lahmann

Our friends of Shameless/Limitless have been ever-reliable mainstays of the Berlin scene for much longer now than we have been, and we can confirm that their parties and shows have never disappointed in the five years of the organisation's existence. Looking at the line-up the folks have compiled for their five-year anniversary celebration which is happening at Urban Spree this Friday, December 13, it is now hard to see why: they got more taste than fits into a single club. They will once again try nonetheless, and we highly recommend you become part of it when they'll welcome NFOP bud Touchy Mob, Domino newbie Jaakko Eino Kalevi, and Femminielli Noir, our long-standing favourite Bernadino Femminielli's latest project. The night will be completed – or, rather ennobled – by DJ sets of luminaries such as Junior Boys' Matt Didemus, Molly Nilsson, Friendboy, Moon Wheel, Vero Manchego, and S/L themselves. What can we say: be there.

Check out the Facebook event page for more details.

 

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NFOP x BCR #11: Some of Our Favourite Tracks of 2013

09 Dec 2013 — Henning Lahmann

As most of you will certainly be aware of by now, Tonje and I have been broadcasting the NFOP Show on Berlin Community Radio for a couple of months now, our spot is every Friday afternoon at 4pm CET. In case you missed it, last Friday I played some of my favourite tracks of the year ("my", because I was on my own). It's been a great year for new music from all kinds of scenes and genres, so this can naturally only be a small-ish selection, though I dearly hope you'll agree that it's quite a good one. The songs are loosely grouped but otherwise in no specific order, listen to the whole show below.

Tune in again this Friday at 4pm when we'll be together again, presenting even more of our most beloved tunes of 2013.

Tracklist

Young Echo "Voices on the Water" (from Nexus, Ramp Recordings)
Iceage "Ecstasy" (from You're Nothing, Matador)
Kitty "Dead Island" (from D.A.I.S.Y. rage, self-released)
Alexander Geist "A Woman's Right to Choose" (single, New Pangea)
Airhead "Autumn" (from For Years, R&S)
Forest Swords "The Plumes" (from Engravings, Tri Angle)
Dean Blunt "Papi" (from The Redeemer, Hippos In Tanks)
Inga Copeland "Obsession 2" (from Higher Powers, self-released) (direct d/l)
Lucrecia Dalt "Vitti" (from Syzygy, Human Ear Music)
Julia Holter "He's Running Through My Eyes" (from Loud City Song, Domino)
Lee Noble "Remind Me" (from Ruiner, Bathetic)
Emily Reo "Metal" (from Olive Juice, Elestial Sound)
Yohuna "Apart" (from The Le Sigh Vol. 1, Birdtapes)
Mala "Changes (Harmonimix)" (12", Deep Medi Musik)

 

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Intimatchine “I’ll Eat You Last”

09 Dec 2013 — Evelyn Malinowski

Chelsey Rae Holland and Christopher Steven Wormald form LA duo Intimatchine, whose new 5-track EP I'll Eat You Last starts with bulging keys, followed by Tarantino-esque guitar. Holland's voice, with only a taste of delay but consistently slow and deliberate, drapes over the sexy desolation conveyed in this archetypal song structure, the one that intersects sloppy fashion and 1950s love ballads. Their Facebook slogan, "Doing it without a crowd since 2008," captures the type of parody afoot in their sound. It plays with gender politics and apocalptic economic theory, but doesn't really drive to say something new, yet it does. But also not. No one is in the crowd to listen, but something will be said anyway.

One might as a result listen to the EP and envision two friends swaying to these sluggish beats, grinning slightly, performing in an empty Hollywood dive bar, with expressionless cowboys sitting around drinking Bud Light.

With other titles running around like "Do Me," "Heavenly Creatures," the EP title itself, and lyrics such as "Hey mister, are you rich? I don't care, I gotta man to take of me which is more than you can say about yourself, tough guy. You know what I wanna be? Your feminist. I know you don't believe me, well I don't believe you," participation in contemporary post-internet culture and all of its glorious irony is keenly communicated. Intimatchine cite the sounds and spoofs of groups like Tropic of Cancer, HTRK, and Hype Williams; yet they have something a little different and definitely unclassifible. It could be the introductory chanting in tracks like "Are You Rich?" and "Sea You in Hell," but more than likely is something radiating from the transcendence available through being unapproachably, darkly humourous. 

You can stream I'll Eat You Last below.

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