Shorts “Berlin 1971”

05 Feb 2014 — Parker Bruce

Aloe Music, who put out the great ILLS album last year, are set to release a new EP in March by New York supergroup of sorts, Shorts, which is headed up by Scott and Charlene's Wedding's Mikael Caterer. The EP's first track (and also the title track), "Berlin 1971", features the choice line: "I've been thinking about getting old with you," which is probably one of the nicest things one human can say to another in this day and age. Shorts fill their tracks with a sense of lost optimism, that rides the whole thing into the sunset — and let's say that it might be the perfect track to play for your significant other on the upcoming Valentine's Day. Don't forget to pre-order the vinyl, which comes with a beautiful zine in three sweet colors. 

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Roger Peet “OBENGE RECORDINGS”

05 Feb 2014 — Trey Reis

From the label:

"OBENGE RECORDINGS is a collection of field recordings by Roger Peet, recorded in the Congo in a now vanished village called “OBENGE”. It has since been burned to the ground by military. The village was very small, and unfortunately neighbor to a ruthless ivory warlord who terrorized them and put them in harms way. EWE OF NOW was fortunate enough to capture these songs on cassette for your listening enjoyment. They are full of life, from a place where life is more real than we are accustomed to. All proceeds from the sales of this cassette go to Roger’s relief work in the in the Democratic Republic of Congo, and hopefully this isn’t the last volume."

If you haven’t stopped reading and bought the tape already, did you ever listen to that 26 Shores of Choral mix that Dolphins Into the Future guy did for Underwater Peoples? It’s all crackly and pulled from some pretty rough vinyl. All the more charming, really. This OBENGE RECORDINGS tape is the same thing, only the crackles are sticks breaking and reverberating into the microphone this guy was there holding, collecting it all, as the dancing rhythm and waves of voices twirled and twisted in the omnidirection of the mics criss-crossed, metal pattern. This music would no longer exist without this guy. Let’s throw him some support.

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Sam Kogon: “Wake Up Your Kids // Sleeping Beauty”

05 Feb 2014 — Andi Wilson

Brooklyn's Sam Kogon is a bit of an old soul, venerable enough to compare his vocals and melodies to the dark ballads of Roy Orbison in addition to mod-harmonies that will melt your heart. While this matured sensibility shines through, Kogon's stylish guitar licks fused with contemporary sonance are taking me back to early 2009, honestly being one of my favorite years for experimental indie-pop. "Wake Up Your Kids // Sleeping Beauty" could have nicely fit in the realm of releases such as The Antlers' Hospice or Grizzly Bear's Veckatimest. What's most endearing is the fervor mixed with honest emotion, forming a craving to reiteratively keep these tracks on repeat. 

Kogon plans to release a full EP / LP in the near future and will be performing with a full band at Silent Barn with Montreal pop band Sheer Agony this Sunday, Feburary 9.

"Sleeping Beauty" was included on a compilation cassette titled Scrapings via Prison Art which you can order or stream here.

 

Album Artwork by Joel Jensen Heath

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Stream: Fog Lake “Virgo Indigo” + Interview (exclusive)

04 Feb 2014 — Andi Wilson

St. John's, Newfoundland is home for Aaron Powell who is the marvel behind the lo-fi ambient dreaminess of Fog Lake. Following bedroom-recorded releases, farther reaches and holy cross [ep]Virgo Indigo is a step into new waters especially production-wise, collecting all emotions within the tracks' clear fidelity. Powell's lyrics and moody vocals are so vulnerable, becoming immediately relatable. While still absorbing this record, it overall makes one feel like embracing a sort of visceral state of mind and losing sense of time in a hazy, beautiful surrounding. 

Virgo Indigo is available to download for free through bandcamp or you can purchase one of the 50 lavendar cassette tapes via Orchid Tapes

Listen while reading this lovely interview with Aaron himself about the release and how Fog Lake all began. 

For those who aren't familiar with Fog Lake, when did you start recording under the name? Also, when did the project become to materialize for you?

AP: Fog Lake began in January of 2012 when I resurfaced some old ambient/drone recordings from 2008-2009, my high school days. I originally intended FL to be just a drone recording alias, but that drastically changed when I started tinkering around with more pop oriented 'songs'. I decided to stick with the name Fog Lake. I feel like the project began to materialize when I finished up my first record, and I got a little bit of exposure from that. I gotta say I was quite surprised and flattered that anyone would even bother to listen to what I was doing, so I decided to try pushing it further.

How did your relationship with Orchid Tapes establish? We are major fans/lovers of the label.

AP: It's an interesting one, I knew Warren way back on this music forum. This was around 2008-2009 as well. He'd always be posting about his new recording project "Foxes in Fiction" which I was heavily into and inspired by. "Swung from the Branches" remains one of my favorite albums of all time. Over the summer of 2013 Warren asked me if I would like to do a release with Orchid Tapes and it was an opportunity I couldn't pass up. I was so excited that I scrapped what I was working on at the time and began work on what would become "Virgo Indigo".

What does Virgo Indigo as a phrase mean to you, in relationship to the album or in general?

AP: I'm gonna keep it real here because I simply thought it sounded cool. The name popped into my head one night and I liked it. Combining words and phrases that kinda slip off the tongue is a lot of fun to me. "Virgo Indigo" sounds like some weird color you'd see in a paint shop, or some bullshit psychic hotline.

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The album's theme seems to particularly play with a notion of heartbreak and loneliness, attached to a dreamy nature and glimpses of hope. What are your current surroundings like and did they inspire your lyrics/sounds?

AP: I have to spend a lot of time by myself to make these records, which I hope can change in the future. 2013 was another bad year and I moved to the city during the writing/recording of Virgo. I tracked it in a pretty cramped room, right in the heart of downtown St Johns. You know, jelly bean houses. It was a drastic kind of change for me, so everything from the sounds of traffic at night to the orange glow of the city sky inspired the sound of the album.

Do you plan on touring for this record? I feel like you would melt many hearts / make people cry (in a good way).

AP: Aw, thank-you! Well I've only played a few shows so far in the city of St John's but touring is something I've been thinking about a lot. I've been talking to my friend Michael of The Raspberry Heaven who is based in Toronto and I can see us definitely doing a tour there sometime soon. Michael's been a great supporter of my music and I would recommend anyone to check out his. We collaborated on a track over the summer and you can find it on youtube I believe. I am also considering touring the island of Newfoundland or trying to get a gig at the Halifax Pop Explosion or something. It's definitely something I need to put more thought into.

What is your favorite genre or artist to listen to on a rainy day?

AP: That's a good question. I think my favorite "pouring rain" band would have to be Slint. I love rain and Slint goes well with that. Spiderland really does it for me. I wanna go back to 1991 every day.

 

Vaghe Stelle “She Sometimes” (exclusive)

04 Feb 2014 — Henning Lahmann

With his twisted and off-kilter take on contemporary electronics, Turin producer Daniele Mana aka Vaghe Stelle has repeatedly haunted these pages already (as well as our showcase at Chesters back in November), and later this month he'll return with a new full-length on esteemed London imprint Astro:Dynamics. Sweet Sixteen comprises eight new transmissions that aim more for the mind then the feet, mostly arranged around intricate rhythms that reject any 4/4 comfort zones. The synth patterns are thick and moldy, adding an earthy touch to the more detached drum machine intrusions. Below, you may take an exclusive listen to album track "She Sometimes", a composition that almost entirely eschews any purposeful structure in favour of loose, layered synth contemplations that are as psychedelic as they are strangely unsettling. Yes indeed, music to take drugs to.

Sweet Sixteen is out February 17 on Astro:Dynamics.

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Watch: Vehicle Blues “Letter Writer” (exclusive)

03 Feb 2014 — Trey Reis

There’s lo-fi recordings that demand your attention and repeated listens to hear not only what is there, but also what would be there had the limitations of recording not put up a block on the road to (high) fidelity. And then there are those lo-fi recordings so perfectly buried in the low-ceiling mix, that expanding the range of available tones would only get in the way. Like, it may be an unfinished basement we’re talking about here, but the layers of dust piled onto all of these piles of boxes filled previously loved objects from the past: they provide a certain warmth. The boundaries of the sound space drawn in blurry lines by the knobs on effect pedals and amplifiers. Completeness certainly isn’t always measured by fullness, but on Letter Writer, those familiar waves of Vehicle Blues guitar strums are piled to previously unreached heights. The result is something of an enclosure without walls, where distance becomes negligible. Every wave of guitar or drum machine thump or cloudy voice feel simultaneously close and infinitely far away, like the sound of a whisper amplified through the scratch of handwriting on a personal letter sent from the other side of the world. Letter Writer indeed.

Watch the video for the title track below, and buy the whole tape from Chicago’s Pretty All Right label.

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IYDES “Call to Reason” ft. Danglo

30 Jan 2014 — Henry Schiller

London grime survives a nuclear holocaust and emerges stronger, more vicious than ever. On “Call to Reason” IYDES props cyclical grime beats against the more intimate sonic structures of contemporary electronica. Each of Danglo’s oblique sputters is crammed into luscious globules of aural indignation that stick on the peach-fuzz hairs of your earlobes.

Analogues can be drawn between the London electronic scene - IYDES's London - and the first wave of British prog-rock. The almot academic focus that artists give to technique and detail, barely masking an emotional frailty that resonates immensely with obsessive, equally astute listeners. IYDES has carefully crafted a semantics of musical ingenuity around a scene history he seems hellbent on tearing to pieces. It might sound incredibly contrived, but there really is something to that notion of caustic reverence that reminds me of the way early prog outfits like King Crimson and Yes interacted with the carefully set up paradigms classical music and folk, eventially burning them to the ground.

Then again, those groups never moved you like IYDES does.

PHASE EP is out March 2014 on Dandelion Lotus Records / Kompakt.

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Furns “Dreaming of the Sea”

27 Jan 2014 — Dalton Vogler

Rising dream-pop newcomer Furns finished up a spectacular 2013 with the release of two critically acclaimed singles, “Sparks” and “Haunt Me”, both of which you need to become acquainted with immediately, if you haven't already.

The Danish duo's latest offering, “Dreaming of the Sea”, is an otherworldly synth-filled ride that travels between the world of lucid dreams and reality's somber musings. Vocalist Monika Faludi's sultry crooning gives the track a hypnotic vibe that complements the song's moving simplicity.

Though a full album hasn't been announced we're expecting (and excited) to hear more music from Furns this year. “Dreaming of the Sea” can be streamed below or here.

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