More new material by our Bristol man Hamish Trevis aka Kinlaw, this time in collaboration with Buenos Aires-based artist Aylu. The two go together pretty well, with Trevis adding his signature layers of dark, menacing beatwork and drone over Aylu's playful and considerably brighter, guitar-based ambient.
"Come Back Slow" will be part of a tape to be released by Reckno sometime soon.
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More new material by our Bristol man Hamish Trevis aka Kinlaw, this time in collaboration with Buenos Aires-based artist Aylu. The two go together pretty well, with Trevis adding his signature layers of dark, menacing beatwork and drone over Aylu's playful and considerably brighter, guitar-based ambient.
"Come Back Slow" will be part of a tape to be released by Reckno sometime soon.
Finally the first track off Bedtime Stories for you to listen to, the excellent new EP by North London producer Blue Daisy in cooperation with elusive project Unknown Shapes (there are in fact triangles in that latter name, but we prefer not to use them). The aptly entitled "Beautiful Nightmare" is all dense, haunting electronics, thoroughly gripping and immersive and surely the best thing in melancholia-infused UK bass right now, at least until that Holy Other record finally drops.
Bedtime Stories is out August 6 on the brilliant Black Acre Records.
(via)
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Finally the first track off Bedtime Stories for you to listen to, the excellent new EP by North London producer Blue Daisy in cooperation with elusive project Unknown Shapes (there are in fact triangles in that latter name, but we prefer not to use them). The aptly entitled "Beautiful Nightmare" is all dense, haunting electronics, thoroughly gripping and immersive and surely the best thing in melancholia-infused UK bass right now, at least until that Holy Other record finally drops.
Bedtime Stories is out August 6 on the brilliant Black Acre Records.
(via)
Once again we've joined forces with the mighty Noisekölln crew to bring you the hip of the day, this time presenting a massive showcase with two long-standing NFOP favorites, Montréal's unrivaled master of supremely deranged pop vibes and mainstay of the famed Arbutus family, Sean Nicholas Savage, and one of the finest contemporary experimental musicians, California's Brian Pyle aka Ensemble Economique, who's just dropped his amazing split LP with Lee Noble on French imprint Hands In The Dark. The two will be supported by the Berlin-based droneheads Fausto Maijstral aka Italian-born DuChamp and New Zealand native Will Gresson, and our beloved XORZYZT on the turntables. If you, like we ourselves, don't see anything more exciting scheduled for Thursday night, then come by and have a good time with us. We'd love to have you there.
The event will happen this Thursday, July 19, once again at Raum in Neukölln, Ziegrastraße 15, starting at 9pm. For more info go here.
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Once again we've joined forces with the mighty Noisekölln crew to bring you the hip of the day, this time presenting a massive showcase with two long-standing NFOP favorites, Montréal's unrivaled master of supremely deranged pop vibes and mainstay of the famed Arbutus family, Sean Nicholas Savage, and one of the finest contemporary experimental musicians, California's Brian Pyle aka Ensemble Economique, who's just dropped his amazing split LP with Lee Noble on French imprint Hands In The Dark. The two will be supported by the Berlin-based droneheads Fausto Maijstral aka Italian-born DuChamp and New Zealand native Will Gresson, and our beloved XORZYZT on the turntables. If you, like we ourselves, don't see anything more exciting scheduled for Thursday night, then come by and have a good time with us. We'd love to have you there.
The event will happen this Thursday, July 19, once again at Raum in Neukölln, Ziegrastraße 15, starting at 9pm. For more info go here.
We have to admit that this week's Video Sunday is a very fine one indeed, featuring an absolutely splendid piece by Patrick Ryan Morris for the Washington's post-rock influenced outfit Drop Electric, alongside another mesmerizing piece by Mpumelo Mcata, visualizing Motèl Mari's absolutely amazing "Just Like A King". Oh, and let's not forget the rest of them: Kouta, Husky Rescue, NOIR CŒUR, Purity Ring, Nite Jewel, Berlin's S ND Y P RL RS, and Ages. Seriously, this week has been a paradise for music video nerds such as ourselves. As always, enjoy our selection below.
Drop Electric - Empire Trashed (by Patrick Ryan Morris)
Nite Jewel - Clive (directed José Wolff)
João Orecchia's Motèl Mari - Just Like A King (directed by Mpumelo Mcata & Nobodies Business)
Kouta - Granola (directed by Joel Pincosy and Justin Potter)
Husky Rescue - Deep Forest Green (directed by Laura Väinölä)
S ND Y P RL RS - Twentyfour
NOIR CŒUR - AVALANCHE (directed by Romain Barbot, Sebastien Verones & Noir Cœur)
Purity Ring - Fineshrine (directed by Alex Takacs and Joe Nankin)
Ages - Lisa (by Miko Revereza & Ellie Parker)
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We have to admit that this week's Video Sunday is a very fine one indeed, featuring an absolutely splendid piece by Patrick Ryan Morris for the Washington's post-rock influenced outfit Drop Electric, alongside another mesmerizing piece by Mpumelo Mcata, visualizing Motèl Mari's absolutely amazing "Just Like A King". Oh, and let's not forget the rest of them: Kouta, Husky Rescue, NOIR CŒUR, Purity Ring, Nite Jewel, Berlin's S ND Y P RL RS, and Ages. Seriously, this week has been a paradise for music video nerds such as ourselves. As always, enjoy our selection below.
Drop Electric - Empire Trashed (by Patrick Ryan Morris)
Nite Jewel - Clive (directed José Wolff)
João Orecchia's Motèl Mari - Just Like A King (directed by Mpumelo Mcata & Nobodies Business)
Kouta - Granola (directed by Joel Pincosy and Justin Potter)
Husky Rescue - Deep Forest Green (directed by Laura Väinölä)
S ND Y P RL RS - Twentyfour
NOIR CŒUR - AVALANCHE (directed by Romain Barbot, Sebastien Verones & Noir Cœur)
Purity Ring - Fineshrine (directed by Alex Takacs and Joe Nankin)
Ages - Lisa (by Miko Revereza & Ellie Parker)
Out of all the different people I have met in my life, few can compete with the kindness and life energy of the internet friends I met while in United States back in March, music bloggers and musicians alike, creating strong, international bonds between each other in order to create an open community with people who share the same passion for music. After our very first meet 'in real life' as human beings of flesh and blood, you suddenly realize how familiar these people may seem; a little bit like greeting an old friend after years of being apart. It's a strangely beautiful thing, as we sincerely believe that some of our best friends are people who live on the opposite side of the planet, connected to us through invisible strains of information, or in other words, that addictive little thing we call internet. And even though it's not often, you will always meet these people again somehow. Maybe in a different city, or on a different continent. Distance is overrated.
During a short trip up to Boston towards the end of March, I finally got to hang out with one of the city's finest souls around, NFOP favourite and friend Samuel Yager aka Birthdays. As with nearly all the people we know in NYC and Boston, Samuel is too a part of our dearest collective FMLY. Alongside his best buddy Cameron Potter (Little Spoon) and 1/2 of the famous Pelly twins Liz Pelly, these beautiful people arrange strictly DIY-based concert nights at Dreamhouse, inviting local bands and good friends to play their psych-infused bedroom tunes for a bunch of friendly kids. Not to be missed if you're a Boston local, in other words.
In our third edition of NFOP SESSIONS' A Love Letter To FMLY, Birthdays plays us "I'm Keeping Some of Mine For Me" in his bedroom in Allston, Boston. Feel the love below.
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Out of all the different people I have met in my life, few can compete with the kindness and life energy of the internet friends I met while in United States back in March, music bloggers and musicians alike, creating strong, international bonds between each other in order to create an open community with people who share the same passion for music. After our very first meet 'in real life' as human beings of flesh and blood, you suddenly realize how familiar these people may seem; a little bit like greeting an old friend after years of being apart. It's a strangely beautiful thing, as we sincerely believe that some of our best friends are people who live on the opposite side of the planet, connected to us through invisible strains of information, or in other words, that addictive little thing we call internet. And even though it's not often, you will always meet these people again somehow. Maybe in a different city, or on a different continent. Distance is overrated.
During a short trip up to Boston towards the end of March, I finally got to hang out with one of the city's finest souls around, NFOP favourite and friend Samuel Yager aka Birthdays. As with nearly all the people we know in NYC and Boston, Samuel is too a part of our dearest collective FMLY. Alongside his best buddy Cameron Potter (Little Spoon) and 1/2 of the famous Pelly twins Liz Pelly, these beautiful people arrange strictly DIY-based concert nights at Dreamhouse, inviting local bands and good friends to play their psych-infused bedroom tunes for a bunch of friendly kids. Not to be missed if you're a Boston local, in other words.
In our third edition of NFOP SESSIONS' A Love Letter To FMLY, Birthdays plays us "I'm Keeping Some of Mine For Me" in his bedroom in Allston, Boston. Feel the love below.
Under the aid of Canada's Germany Germany, this beautiful collaboration track below pretty much sums up why we love Arrange so much; having recently scored his finest review so far over at Pitchfork. And I do believe we forgot to mention anything about Malcom Lacey's third full-lenght, New Memory at all, so please forgive us. Just don't forget who told you about him in the first place.
After a year in the making, Germany Germany's sixth release Blank Mind Empty Heart will be out on July 20th.
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Under the aid of Canada's Germany Germany, this beautiful collaboration track below pretty much sums up why we love Arrange so much; having recently scored his finest review so far over at Pitchfork. And I do believe we forgot to mention anything about Malcom Lacey's third full-lenght, New Memory at all, so please forgive us. Just don't forget who told you about him in the first place.
After a year in the making, Germany Germany's sixth release Blank Mind Empty Heart will be out on July 20th.
Delightful and surprisingly lush, library-informed minimal electronics in the best of German traditions here by Hamburg-based duo Phantom Horse aka Ulf Schütte (also of Datashock, Black To Comm, Aosuke, and Alien Radio) and Niklas Dommaschk, whose self-titled LP is out now on Dekorder. First single "Twilight Sohn" creates joyfully rhythmic, colorful soundscapes brimming with plucking and bleeping analog and modular synth scales over subtly distorted pads generated with guitar and more synths, with quite mesmerizing results that get further augmented by the absolutely appropriate retro-futuristic visualisations. The whole record is warmly recommended, go here to find out where to get it.
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Delightful and surprisingly lush, library-informed minimal electronics in the best of German traditions here by Hamburg-based duo Phantom Horse aka Ulf Schütte (also of Datashock, Black To Comm, Aosuke, and Alien Radio) and Niklas Dommaschk, whose self-titled LP is out now on Dekorder. First single "Twilight Sohn" creates joyfully rhythmic, colorful soundscapes brimming with plucking and bleeping analog and modular synth scales over subtly distorted pads generated with guitar and more synths, with quite mesmerizing results that get further augmented by the absolutely appropriate retro-futuristic visualisations. The whole record is warmly recommended, go here to find out where to get it.
Seminal San Francisco experimental duo Barn Owl has always been a hub for all kinds of solo ventures of its members Jon Porras and Evan Caminiti. This year alone, Caminiti has already released a staggering work of stripped-down folk-informed drone with Night Dust on Immune Recordings, and is set to drop another full-length on August 21 via Thrill Jockey, named Dreamless Sleep.
Last year, his partner in crime Jon Porras' first solo effort under his own name, Undercurrent on Root Strata, took a similar path into slow-burning, deep drone territory. For his latest effort however, Porras has broken out in a different direction with his new project DVVLLXNS, not that obviously named after Dorothy Vallens, Isabella Rossellini's character in Blue Velvet. The four-track EP LITVNY is a dazzling example of contemporary occult electronica founded on unsettling substructures of menacing white noise and haunting samples, creating expansive soundscapes that evoke images of late night cruises through the daunting, abandoned outskirts of the city. A highly compelling EP, and a superb debut for Jon Porras' new musical course.
The EP is also supposed to serve as the initial spark for digital movement/blog THX NXW MXNVMXNTS, which will be curated by Porras and fellow Bay Area artists and work as a focal point for happenings on the darker side of electronic music in and around San Francisco.
LITVNY is out now and available via bandcamp.
Read more →
Seminal San Francisco experimental duo Barn Owl has always been a hub for all kinds of solo ventures of its members Jon Porras and Evan Caminiti. This year alone, Caminiti has already released a staggering work of stripped-down folk-informed drone with Night Dust on Immune Recordings, and is set to drop another full-length on August 21 via Thrill Jockey, named Dreamless Sleep.
Last year, his partner in crime Jon Porras' first solo effort under his own name, Undercurrent on Root Strata, took a similar path into slow-burning, deep drone territory. For his latest effort however, Porras has broken out in a different direction with his new project DVVLLXNS, not that obviously named after Dorothy Vallens, Isabella Rossellini's character in Blue Velvet. The four-track EP LITVNY is a dazzling example of contemporary occult electronica founded on unsettling substructures of menacing white noise and haunting samples, creating expansive soundscapes that evoke images of late night cruises through the daunting, abandoned outskirts of the city. A highly compelling EP, and a superb debut for Jon Porras' new musical course.
The EP is also supposed to serve as the initial spark for digital movement/blog THX NXW MXNVMXNTS, which will be curated by Porras and fellow Bay Area artists and work as a focal point for happenings on the darker side of electronic music in and around San Francisco.
LITVNY is out now and available via bandcamp.