Deerhoof ft. Marc Ribot “Who Sleeps, Only Dreams” (exclusive)

20 Mar 2014 — Ashley Canino

It's the vernal equinox! Sunshine, flowers, and Record Store Day (April 19) are nearly upon us. To commemorate the upcoming music holiday occasion, Deerhoof and Marc Ribot's Ceramic Dog are releasing a special split 7" featuring two tracks; "Who Sleeps, Only Dreams," and "Hide With Me." The first single is led by Deerhoof, a band who is used to creating elaborate noise pop soundscapes for featured artists. After touring with Ribot's Ceramic Dog project and producing one of their tracks, Deerhoof shared an instrumental of their song "Qui Dorm, Només Somia" with Ribot, who blessed it with the epic, emotive guitar playing he's known for. The song develops in sections, each with their own vibe, but amounting to one artful and cohesive piece that demands multiple listens. Play the track exclusively below. 

The Deerhoof & Marc Ribot's Split 7" will be available in select stores on Record Store Day, April 19, from Northern Spy Records.

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Patrick Sexx “The Shadow That Took Shape”

20 Mar 2014 — Henry Schiller

If motion could speak its zone of discourse would be the acid-washed synth tones, emotionally evocative sampling techniques, and digital windscape of Patrick Sexx’s The Shadow That Took Shape. Not strictly speaking aligned to any one faction of post-dub, or dance, or of electronica, Patrick Sexx swerves through early digital-age influences to collect tempered, thoughtful beats and lay them with great deliberation and care under an orchestra of downtempo contemplation and exquisite electronic maneuverability.

The sort of bobble-headed undercurrents of London IDM like Mount Kimbie; long winded sprawls of predatory wire buzz are magnificently condensed into percussive bloops. Tracks like “My Father & I” straddle the line between wistful energy and pensive anguish. If Shadow isn’t exactly music for the club, it damn well better be playing on the seemingly endless elevator ride down you must take to get there.

 

 

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“Vape Villain” makes one mechanical lunge after the other, set to the warped, rapid drip of a vocal fricative. The track seems to form naturally out of the static that you get when headphones are plugged into the wrong input. “Infinity Interrupted”, on the other hand, cozies up into the funnel of your chest before shivering, shaking, seizing and sputtering between decomposed handclaps and the soft chirps of the gold coins that bounce of Mario’s hat.

“Axis”, which is the album’s spiritual centerpiece, links a minimal hip hop beat with hyperventilated effected vocals, luscious samples that sound like thorax maneuvers, and rapidly modulating drum skins. The track reminds me of Kendrick Lamar’s “Backseat Freestyle”, with the jangling, expansive percussion that loosely follows a melodic line through various rhythmic iterations.

All of the tracks here have a dismal, naturalistic feel underwriting the percussive tonal softness that represents the album’s electronic content. Shadow has a surprisingly introspective bent to it, often cascading off into slow boiling moments of dark reflection. A reflection, in digital process, on the brokenness and angst that lurks in the spiritual basement of every late night out and every ‘one last shot’. A send up to the lightheaded feelings of bliss that you know deep down is only possible because some painful existential itch is being overlooked. No matter how condensed, how opaque, how magnificent a shape the shadow takes, Sexx seems to insist that it will never have the substance you want it to. He sounds damn good proving it, too.

The Shadow That Took Shape is out now on Alpha Pup Records.

STRAT003: Ships “Space Inside”

19 Mar 2014 — Henning Lahmann

As most of you will know, a while ago No Fear Of Pop founded a humble subdivision to play out our nostalgic obsession with beautiful 7" vinyls: Stratosfear Recordings. Last week, we finally dropped our third release, an amazing pair of tunes by Dublin-based duo Ships aka Sorca McGrath and Simon Cullen (who's also known as Lasertom). We hope you excuse our rather shameless self-promotion, but we really think that both tracks, "Space Inside" and "None Of It Real", are insanely good, superb disco 'floor fillers with cowbells and handclaps and seriously everything you could possibly hope for to get you through a Saturday night. The a-side was premiered last week on The Line Of Best Fit, and we highly recommend you take a listen to it right now.

Space Inside b/w None Of It Real is out now. Get it in physical form over here or digitially right here.

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Watch: Gold Zebra “Apart Again” (exclusive)

17 Mar 2014 — Henning Lahmann

Montréal noirish synth pop duo Gold Zebra have taken some more time than expected to finish their debut album, but now word is out that the anticipated full-length is finally scheduled to be released on April 22. Listening to "Apart Again", the first sign of life after last year's teaser single "Invisible Disorder", it becomes obvious why the LP took so long to get done. The song sounds very mature and elaborate, embracing just the right amount of Chromatics-esque retroism while convincingly focusing not on style and era but on those things that matter for a good pop song: arrangement and melody.

Aside from the tune itself, the accompanying video, directed by La Barbe Rousse and premiered below, is further proof for Gold Zebra's compelling professionalism that does not content itself with less than a truly strong result.

The self-titled LP will be out on Visage Musique. Pre-order now over here.

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Trust Fund “No Surprise”

17 Mar 2014 — Parker Bruce

Bristol's Trust Fund (real name Ellis) has a conundrum: his "best friend", who is a girl, and not currently with him, is going to return sometime soon so he has to essentially shun his other friend. Such is the conflict of "No Surprise" which plays out like a conversation albeit just Ellis' side of it, informing his friend of the changes that will occur: "Except maybe/You're right I guess/When she's around I won't reply to texts" and "And you and me will be hanging out much less." Bascially, Ellis looks for simple pleasures: a collage-crafting partner ("And we'll cut stuff out/Oblivious") (think of this song as his version of Hannah's speech from "Girls"). It's almost a rejection song in a way, but it's not mean. After that first verse, a big, walloping guitar comes in as if to hammer home what Ellis has just said. The Waxahatchee comparisons are apt.

"No Surprise" comes from UK's ever expanding collective Reeks of Effort's upcoming Sick of Hits Vol. 2 tape, to be released in April. Check out Vol. 1 here and pre-order Vol. 2 here. Everyone needs a nice springtime mixtape right?

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Playlounge “waves and waves and waves”

14 Mar 2014 — Parker Bruce

The second track previewed by London's Playlounge from their album pilot, "waves and waves and waves" is all breathless, teetering drumming and clanging guitar with lyrics that imply an interest in the USA ("We'd play American") particularly driving (like a way more intense "Hannah Hunt"): "Weightless we'd sleep sprawled across this town," "Driving doe eyed a million miles far," "Get up/get out/go." At one point, Playlounge ask us, "Can you feel it caving in?", and that is kind of what it feels like the song is doing: going through a canyon while rocks crash down around you. You can download "waves and waves and waves" for free on their Soundcloud, and pre-order pilot, which Dog Knights Productions is releasing April 14. The magic vinyl words I have for you are: "Pink w/ Silver Glitter" and "Blue/Pink Mix."

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Saxsyndrum “Les Belles Nanas (¡FLIST! Remix)” (exclusive)

13 Mar 2014 — Parker Bruce

Saxsyndrum, a two man band from Montreal, are doing a remix album with songs taken from last year's Future Circus. Fellow Montreal-er ¡FLIST!'s remix of "Les Belles Nanas" (French slang for "the pretty girls") tempers Saxsyndrum and Emma Frank's zippy verve in the way only ¡FLIST! can. Sounds lumber along, hang like Weeping Willows, squat, and balk, and the brass sounds fat and squished. These are all good things!  Be sure to also check out NFOP favorite Syngja's, remix of "Heartstrings." "Future Circus Remixed" is out March 22, and if you're in Montreal, be sure to head to Le Cagibi for a fête of sorts, with Syngja scheduled to play as well.

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FRAME “Run Around”

13 Mar 2014 — Parker Bruce

Brooklyn's FRAME (aka Caitlin Frame) has an album called Polarizer coming out this spring. Not to go for the easy pun, but the first song released from it, "Run Around," is not polarizing at all. It's splendid. Calling to mind the sound of Dragonette (particularly "Pick Up The Phone"), Tegan and Sara, Lisa Loeb's "Stay (I Missed You)," and in a way, Michelle Branch ("Breathe" among others), "Run Around" seems to be a song straight out of 2002 in the best way possible, fitting her in with the great female singer-songwriters of yore. It's the debut single popstars dream about in their bedrooms at night with a strident guitar, a very good chorus, and a lyric that sticks in the form of: "Cause I think I thought I saw you after all." While on her Soundcloud, be sure to check out the mix she put up a few days ago which features remixes from all corners (Bjork, Kelis, Blondie, and Fleetwood Mac). FRAME has done her homework.

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