First Listen: 100% Silk.

12 Jan 2011 — Henning Lahmann
When Amanda and Britt Brown got interviewed by Samantha Cornwell back in early November for a profile of their label Not Not Fun for Altered Zones, Amanda was pretty eager to point out the couple's rather different tastes in music, saying that if she ran NNF by herself it would probably be a label exclusively dropping hip-hop and dance records, while Britt was the more "esoteric" one of them. Of course primarily knowing her from the now defunct band Pocahaunted, the psyched-out project that surely wouldn't be misdescribed using the attribution "esoteric", and that probably was most responsible for building the label's stellar reputation among America's contemporary underground music scene, that blunt statement kinda surprised me back then. Sure, Amanda exemplified her passion for deranged synthesizer dance pop when she collaborated with Sam Meringue's Matrix Metals under her new LA Vampires moniker on the stunning NNF release So Unreal, put out later that month, but it was not until word spread in early December that she had just launched her own label that I eventually understood what her statement ultimately had been about. 100% Silk. According to the imprint's mission statement, it "makes 45 rpm 12 inch singles of diamond-life dance & bliss-disco & basement luxury grooves by friends and lovers from all over the world". Until yesterday, we could only guess what this would really mean in the end (apart from a few video snippets Amanda had put up on Vimeo), but now the first two releases have been made available for order, Ital's Theme by Ital and The Deeep's Muddy Tracks, and Amanda kindly sent over one track of each 12 inch for me to put up on Soundcloud. Ital is the new recording project by San Francisco's Daniel Martin-McCormick of Mi Ami and Sex Worker, and here he finds the space to live out his secret dance obsession. The single's b-side Queens is a straightforward yet very ambitious floor filler, based on a minimal house beat, heavily filtered congas, a more than captivating, classic bass line and some soothing synth parts to keep your head up. Party like it's 1999, with delicious hints of two decades of disco before that date. Toronto's The Deeep have reworked Mudd, the dark, bass-heavy masterpiece from their Life Light cassette on NNF (listen to the original over at RSTB) and turned it into a light-colored, slowly burning dub, almost completely abandoning Isla Craig's amazing vocal work but adding all kinds of synth chirps, flutes and chimes to get your body on the jungle of the dancefloor. Absolutely intriguing. Both 12 inches come in an edition of 350, so don't hesitate and get your hands on a copy now. Read more → When Amanda and Britt Brown got interviewed by Samantha Cornwell back in early November for a profile of their label Not Not Fun for Altered Zones, Amanda was pretty eager to point out the couple's rather different tastes in music, saying that if she ran NNF by herself it would probably be a label exclusively dropping hip-hop and dance records, while Britt was the more "esoteric" one of them. Of course primarily knowing her from the now defunct band Pocahaunted, the psyched-out project that surely wouldn't be misdescribed using the attribution "esoteric", and that probably was most responsible for building the label's stellar reputation among America's contemporary underground music scene, that blunt statement kinda surprised me back then. Sure, Amanda exemplified her passion for deranged synthesizer dance pop when she collaborated with Sam Meringue's Matrix Metals under her new LA Vampires moniker on the stunning NNF release So Unreal, put out later that month, but it was not until word spread in early December that she had just launched her own label that I eventually understood what her statement ultimately had been about. 100% Silk. According to the imprint's mission statement, it "makes 45 rpm 12 inch singles of diamond-life dance & bliss-disco & basement luxury grooves by friends and lovers from all over the world". Until yesterday, we could only guess what this would really mean in the end (apart from a few video snippets Amanda had put up on Vimeo), but now the first two releases have been made available for order, Ital's Theme by Ital and The Deeep's Muddy Tracks, and Amanda kindly sent over one track of each 12 inch for me to put up on Soundcloud. Ital is the new recording project by San Francisco's Daniel Martin-McCormick of Mi Ami and Sex Worker, and here he finds the space to live out his secret dance obsession. The single's b-side Queens is a straightforward yet very ambitious floor filler, based on a minimal house beat, heavily filtered congas, a more than captivating, classic bass line and some soothing synth parts to keep your head up. Party like it's 1999, with delicious hints of two decades of disco before that date. Toronto's The Deeep have reworked Mudd, the dark, bass-heavy masterpiece from their Life Light cassette on NNF (listen to the original over at RSTB) and turned it into a light-colored, slowly burning dub, almost completely abandoning Isla Craig's amazing vocal work but adding all kinds of synth chirps, flutes and chimes to get your body on the jungle of the dancefloor. Absolutely intriguing. Both 12 inches come in an edition of 350, so don't hesitate and get your hands on a copy now.

Sing.

12 Jan 2011 — Henning Lahmann
Ludwigshafen is a town somewhere in the southwest of Germany (so I've been told) that looks exactly like in the picture above. The most significant feature apart from BASF are two detectives of a homicide unit in a Sunday evening prime time TV series that used to be way better back in the days, at least in my memory. So now you know. Anyway, before metropolitan arrogance carries me away even further (you may hate me for that), suffice it to add that Ludwigshafen apparently has more to say to us now as it has bred some guy named Gabriel who has started making some fine, mellow and dubstep-informed electronica under the moniker CutOff!CutOff! that kinda caught me off guard last night with its captivating beat, incredible sampling and vocal manipulation built around a lonely, heavily reverberated piano chord. Gabriel has spent the last couple of years in London, New York and Berlin (see?), and indeed there's a good deal of late night, big city melancholia to be found in T Is To N. CutOff!CutOff!'s debut EP Sing is now out on the Gateshead, England label Spontaneous Rhythm. (Photo) CutOff!CutOff! - T Is To N Read more → Ludwigshafen is a town somewhere in the southwest of Germany (so I've been told) that looks exactly like in the picture above. The most significant feature apart from BASF are two detectives of a homicide unit in a Sunday evening prime time TV series that used to be way better back in the days, at least in my memory. So now you know. Anyway, before metropolitan arrogance carries me away even further (you may hate me for that), suffice it to add that Ludwigshafen apparently has more to say to us now as it has bred some guy named Gabriel who has started making some fine, mellow and dubstep-informed electronica under the moniker CutOff!CutOff! that kinda caught me off guard last night with its captivating beat, incredible sampling and vocal manipulation built around a lonely, heavily reverberated piano chord. Gabriel has spent the last couple of years in London, New York and Berlin (see?), and indeed there's a good deal of late night, big city melancholia to be found in T Is To N. CutOff!CutOff!'s debut EP Sing is now out on the Gateshead, England label Spontaneous Rhythm. (Photo) CutOff!CutOff! - T Is To N

Fez Bowl.

12 Jan 2011 — Henning Lahmann
Pretty stoked by the pure and raw energy of this garage outfit from my second favorite English city Leicester (seriously, don't ask), Thee Ludds make gritty short songs, palatably straightforward somewhere between late 60s psych pop, early punk and 2009 no-fi, and I guess the thing that really keeps me going here is that amazingly impulsive organ that kinda puts the whole thing to a different level. Thee Ludds' debut cassette Fez Bowl is now available via my dear friends over at Sheffield's Tye Die Tapes, a tiny imprint that's really worth being supported. Thee Ludds - I Told You I Would Thee Ludds - Shy Guy Read more → Pretty stoked by the pure and raw energy of this garage outfit from my second favorite English city Leicester (seriously, don't ask), Thee Ludds make gritty short songs, palatably straightforward somewhere between late 60s psych pop, early punk and 2009 no-fi, and I guess the thing that really keeps me going here is that amazingly impulsive organ that kinda puts the whole thing to a different level. Thee Ludds' debut cassette Fez Bowl is now available via my dear friends over at Sheffield's Tye Die Tapes, a tiny imprint that's really worth being supported. Thee Ludds - I Told You I Would Thee Ludds - Shy Guy

Arrange.

12 Jan 2011 — Tonje Thilesen

A bit of the noisy bedroom pop, a bit of the atmospheric ambient and finally a tiny bit of shoegaze mixed in: "There's a little bit of something for everyone here",  Arrange describes his newest piece Quiet State. I assume many of you might be somehow unfamiliar with the moniker behind it; the 18 year old Malcom Lacey hailing from sunny Florida, but in fact he has been uploading EP-s on his bandcamp since as early as back in June last year. It remains to me a mystery why we haven't heard more about him already, considering the fact that I was literally blown away by the blooming and honest beauty of his newest mini-LP. In fact, I find the album sounding a lot more 'Nordic' than anything that has been coming out of the US lately, with the second track Staring At The Ceiling (below), even has that cold, Scandinavian feel to it that I love oh so much.

Click the beautiful album artwork for Quiet State above to download.

Arrange - Staring at the Ceiling

Arrange - Lude (Sticks)

Read more →

A bit of the noisy bedroom pop, a bit of the atmospheric ambient and finally a tiny bit of shoegaze mixed in: "There's a little bit of something for everyone here",  Arrange describes his newest piece Quiet State. I assume many of you might be somehow unfamiliar with the moniker behind it; the 18 year old Malcom Lacey hailing from sunny Florida, but in fact he has been uploading EP-s on his bandcamp since as early as back in June last year. It remains to me a mystery why we haven't heard more about him already, considering the fact that I was literally blown away by the blooming and honest beauty of his newest mini-LP. In fact, I find the album sounding a lot more 'Nordic' than anything that has been coming out of the US lately, with the second track Staring At The Ceiling (below), even has that cold, Scandinavian feel to it that I love oh so much.

Click the beautiful album artwork for Quiet State above to download.

Arrange - Staring at the Ceiling

Arrange - Lude (Sticks)

Parallel Zones.

11 Jan 2011 — Henning Lahmann
What really puzzles me is how this guy could escape my undivided attention for such a long time (good thing though that apparently this happened to others as well), as the music of Seattle's Norm Chambers aka Panabrite is seriously amazing, driven by analog synthesizers, slow-burning drum machine patterns, oscillators, effects and some excellent, thrilling guitar elements and even a few field recordings. After a split tape with Hobo Cubes on Hobo Cult Records last year, Chambers has now re-released some of his earlier material from 2009, and it is available for free via his bandcamp (his 2010 releases are up there as well for a very reasonable amount of money). This is highly recommended stuff, some of the finest synth ambient music I've come across in quite a while. Panabrite - Parallel Zones Panabrite - Canyon Read more → What really puzzles me is how this guy could escape my undivided attention for such a long time (good thing though that apparently this happened to others as well), as the music of Seattle's Norm Chambers aka Panabrite is seriously amazing, driven by analog synthesizers, slow-burning drum machine patterns, oscillators, effects and some excellent, thrilling guitar elements and even a few field recordings. After a split tape with Hobo Cubes on Hobo Cult Records last year, Chambers has now re-released some of his earlier material from 2009, and it is available for free via his bandcamp (his 2010 releases are up there as well for a very reasonable amount of money). This is highly recommended stuff, some of the finest synth ambient music I've come across in quite a while. Panabrite - Parallel Zones Panabrite - Canyon

Crowns.

11 Jan 2011 — Henning Lahmann
Some very smooth notes here to ease your Tuesday morning, Toronto, Ontario artist Crowns makes nice and easy ambient tracks with rather classic rock instrumentation plus some sampling and effects, music that kinda grooves along friendly but also lets you turn around once more to leave your eyes closed, pretending to still be asleep, for just a little bit longer. Fine. And now get up, seriously. Crowns - At The Old House Crowns - Inside Read more → Some very smooth notes here to ease your Tuesday morning, Toronto, Ontario artist Crowns makes nice and easy ambient tracks with rather classic rock instrumentation plus some sampling and effects, music that kinda grooves along friendly but also lets you turn around once more to leave your eyes closed, pretending to still be asleep, for just a little bit longer. Fine. And now get up, seriously. Crowns - At The Old House Crowns - Inside

Deep in Your Mind.

10 Jan 2011 — Henning Lahmann
It took the nice fellas who wanted to submit this tune no less than three mailing attempts before it finally reached my inbox safely yesterday, but since then (only interrupted by my even more obsessive Beko DSL/La Station Radar addiction) this absolute gem has been on an almost absurd repeat on my headphones, with its more than infectious, highly sophisticated and 80s dripping synth works that perfectly undermine the vocalist's (positively) cheesy mourning. I think I haven't even grasped this in its entire gorgeousness, but a first guess would put blame on this insanely fine melody that makes me coming back to this one again and again. Casa del Mirto's debut effort 1979 will be released by Mashhh! sometime in January, and apparently the whole thing will come with a bonus remix album, and thank God or whoever that they've asked the glorious Welcome Back Sailors to add some of their flavors. Read more → It took the nice fellas who wanted to submit this tune no less than three mailing attempts before it finally reached my inbox safely yesterday, but since then (only interrupted by my even more obsessive Beko DSL/La Station Radar addiction) this absolute gem has been on an almost absurd repeat on my headphones, with its more than infectious, highly sophisticated and 80s dripping synth works that perfectly undermine the vocalist's (positively) cheesy mourning. I think I haven't even grasped this in its entire gorgeousness, but a first guess would put blame on this insanely fine melody that makes me coming back to this one again and again. Casa del Mirto's debut effort 1979 will be released by Mashhh! sometime in January, and apparently the whole thing will come with a bonus remix album, and thank God or whoever that they've asked the glorious Welcome Back Sailors to add some of their flavors.

Beko DSL x La Station Radar.

10 Jan 2011 — Henning Lahmann
2011 officially kicked off last night when the stellar folks from across Old Father Rhine, French labels Beko DSL and La Station Radar, joined their mighty forces to bless the world with a ridiculously excellent compilation. Eleven tracks with some of the finest stuff underground pop has to offer at the moment, ranging from the twisted sweetness of Ela Orleans and Terror Bird to Wet Hair's and Jeans Wilder's weirdo approach to pop music and the impending darkness of the psychedelia by Skitter or Archers by the Sea. My personal highlight - people who've been reading these pages for a while now might have guessed so - is Phrenesia by my long time obsession Holy Strays aka Sebastien Forrester, a marvelously captivating track that might mark a slightly new artistic direction for my favorite psyched-out Parisien, as his music apparently has silently stepped out of the dark and sultry tropical forests of his previous work on Hyperion and into realms of a still gloomy yet slightly glamorous world of sleeky synth madness with some rad touches of dark wave. Absolutely intriguing. Check out Phrenesia and Terror Bird's wonderful Can't Tell What's Real as well as the amazing video for Ela Orleans' Black and White Flight below, and then head over here to download the whole thing for free right now, cause musically, 2011 possibly can't get any better than this. Read more → 2011 officially kicked off last night when the stellar folks from across Old Father Rhine, French labels Beko DSL and La Station Radar, joined their mighty forces to bless the world with a ridiculously excellent compilation. Eleven tracks with some of the finest stuff underground pop has to offer at the moment, ranging from the twisted sweetness of Ela Orleans and Terror Bird to Wet Hair's and Jeans Wilder's weirdo approach to pop music and the impending darkness of the psychedelia by Skitter or Archers by the Sea. My personal highlight - people who've been reading these pages for a while now might have guessed so - is Phrenesia by my long time obsession Holy Strays aka Sebastien Forrester, a marvelously captivating track that might mark a slightly new artistic direction for my favorite psyched-out Parisien, as his music apparently has silently stepped out of the dark and sultry tropical forests of his previous work on Hyperion and into realms of a still gloomy yet slightly glamorous world of sleeky synth madness with some rad touches of dark wave. Absolutely intriguing. Check out Phrenesia and Terror Bird's wonderful Can't Tell What's Real as well as the amazing video for Ela Orleans' Black and White Flight below, and then head over here to download the whole thing for free right now, cause musically, 2011 possibly can't get any better than this.
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