Les Références.
08 Dec 2010 — Henning Lahmann
It recently turned out that Turin native and Brussels resident Calogero Marotta not only likes to write about music as a staff member of the wonderful French website Hartzine, but apparently also is an amazingly talented chansonnier who makes or at least just started to make dreamy little pop songs under the moniker Souvenirs. As far as I know, Les Références is the first one he's put out so far, but its sheer beauty sure leaves us impatiently waiting for more to come.
Souvenirs - Les Références
Read more →
It recently turned out that Turin native and Brussels resident Calogero Marotta not only likes to write about music as a staff member of the wonderful French website Hartzine, but apparently also is an amazingly talented chansonnier who makes or at least just started to make dreamy little pop songs under the moniker Souvenirs. As far as I know, Les Références is the first one he's put out so far, but its sheer beauty sure leaves us impatiently waiting for more to come.
Souvenirs - Les Références
For a friend.
07 Dec 2010 — Henning Lahmann
Video by Ezra Ewen. Music Date of Birth by How To Dress Well. In loving memory of K.E. Read more → Video by Ezra Ewen. Music Date of Birth by How To Dress Well. In loving memory of K.E.Another Pop #1: CL Sosa
07 Dec 2010 — Henning Lahmann
We're happy to introduce you to our latest category, a series of guest posts named Another Pop that is intended to bring to attention the tastes of artists, musicians or not, that would usually not be featured on No Fear Of Pop, starting with New Jersey rapper Carlos Gonzales aka CL Sosa.
Carlos Gonzales:
"Inspiration can come from many places, and although I've never been to StewRat's hometown of Springfield, Ohio, it's hard to think that this would be the birthplace to the hazy, soul dripping collage of sound found in his music. A hip-hop chillwaver of sorts, he has a unique ability to make a record that sounds familiar yet unpredictable. One minute he is warping a soul sample into neck snapping Portishead-esque trip-hop jam, and the next he is making an entire album that sounds like it could have scored any 80s John Hughes movie.
I've had the pleasure of working with him on my upcoming album ("...and then everything turned grey") and it's the goosebump inducing vocal rips that sound like they were pulled directly off a vinyl that hasn't seen the sun in a couple decades that made me want to have him produce almost every other track I put out.
On top of everything, he is a really cool dude, almost scarily unaware of how talented of a producer he is, the flow of his music sounds like it was done with almost no effort, like putting together tracks comes as natural for him as breathing does. And as long as I've been working with him, I still can't quite put my finger on what he's going to do next. In 2010 he's released about five instrumental albums, and various singles, and all in a year where he claims in a blog post to have not had "any inspiration to make music". You can hear that sense of desperation and angst in songs like "Where U @", a song where the drums and vocals sound like a direct response to abandonment.
Songs like the Washed Out meets Pharell-esque "Searching For Something Real" or the too chill "Need You" make me realize that while living in literally the middle of a continent, musically he is able to transport himself much farther than the horizon of his Springfield, Ohio home."
StewRat bandcamp / tumblr
StewRat - Searching For Something Real
StewRat - Where U @
Though I always used to listen to a good deal of hip-hop, of course NFOP was never conceived as a blog that would be about it in any way. So when New Jersey native Carlos Gonzales aka CL Sosa first hit me up back in August with a mail succinctly uttering "Whassup no fear", I was already about to ditch his submission and only more or less accidentally first listened to the attached tune Stormy Black which, frankly, instantly blew me away with its tight production and incredibly captivating flow. Gonzales is more than just a rap talent: his style might resemble a whole bunch of ancestors of pre-bling bling hip-hop culture, but instead of just citing the past, he manages to transcend the early days and create something fresh and unique, whatever you generally might think of "indie hip-hop" as a concept. His brand new tune Come and Go is simply gorgeous and probably his most intriguing yet, StewRat's smooth production perfectly supports CL Sosa's pleasantly raspy voice while he is telling heart-warming stories about that dude from the Garden State.
CL Sosa - Come and Go (Produced by StewRat)
Read more →
We're happy to introduce you to our latest category, a series of guest posts named Another Pop that is intended to bring to attention the tastes of artists, musicians or not, that would usually not be featured on No Fear Of Pop, starting with New Jersey rapper Carlos Gonzales aka CL Sosa.
Carlos Gonzales:
"Inspiration can come from many places, and although I've never been to StewRat's hometown of Springfield, Ohio, it's hard to think that this would be the birthplace to the hazy, soul dripping collage of sound found in his music. A hip-hop chillwaver of sorts, he has a unique ability to make a record that sounds familiar yet unpredictable. One minute he is warping a soul sample into neck snapping Portishead-esque trip-hop jam, and the next he is making an entire album that sounds like it could have scored any 80s John Hughes movie.
I've had the pleasure of working with him on my upcoming album ("...and then everything turned grey") and it's the goosebump inducing vocal rips that sound like they were pulled directly off a vinyl that hasn't seen the sun in a couple decades that made me want to have him produce almost every other track I put out.
On top of everything, he is a really cool dude, almost scarily unaware of how talented of a producer he is, the flow of his music sounds like it was done with almost no effort, like putting together tracks comes as natural for him as breathing does. And as long as I've been working with him, I still can't quite put my finger on what he's going to do next. In 2010 he's released about five instrumental albums, and various singles, and all in a year where he claims in a blog post to have not had "any inspiration to make music". You can hear that sense of desperation and angst in songs like "Where U @", a song where the drums and vocals sound like a direct response to abandonment.
Songs like the Washed Out meets Pharell-esque "Searching For Something Real" or the too chill "Need You" make me realize that while living in literally the middle of a continent, musically he is able to transport himself much farther than the horizon of his Springfield, Ohio home."
StewRat bandcamp / tumblr
StewRat - Searching For Something Real
StewRat - Where U @
Though I always used to listen to a good deal of hip-hop, of course NFOP was never conceived as a blog that would be about it in any way. So when New Jersey native Carlos Gonzales aka CL Sosa first hit me up back in August with a mail succinctly uttering "Whassup no fear", I was already about to ditch his submission and only more or less accidentally first listened to the attached tune Stormy Black which, frankly, instantly blew me away with its tight production and incredibly captivating flow. Gonzales is more than just a rap talent: his style might resemble a whole bunch of ancestors of pre-bling bling hip-hop culture, but instead of just citing the past, he manages to transcend the early days and create something fresh and unique, whatever you generally might think of "indie hip-hop" as a concept. His brand new tune Come and Go is simply gorgeous and probably his most intriguing yet, StewRat's smooth production perfectly supports CL Sosa's pleasantly raspy voice while he is telling heart-warming stories about that dude from the Garden State.
CL Sosa - Come and Go (Produced by StewRat)
I lived on the moon.
07 Dec 2010 — Tonje Thilesen
For many years, post-rock has been a genre very close to my heart. Some days ago I was lucky enough to stumble upon Kwoon (all though a bit late), a post-rock/ambient seven-piece hailing from France — making some of the most atmospheric and cinematic soundwaves I've heard in a long time. All though it's easy to compare them to the likes of Sigur Rós and Lights Out Asia, they have still truly managed to create their own particular spaced-out feel, slightly dipped in the universe of shoegaze.
Last Thursday they put up a new, acoustic remake of When I Lived On The Moon, taken from their splendid self-released When The Flowers Were Singing back in 2009. Get your free download here. Kwoon - I Lived On The Moon (acoustic) Kwoon - Great Escape Read more →
For many years, post-rock has been a genre very close to my heart. Some days ago I was lucky enough to stumble upon Kwoon (all though a bit late), a post-rock/ambient seven-piece hailing from France — making some of the most atmospheric and cinematic soundwaves I've heard in a long time. All though it's easy to compare them to the likes of Sigur Rós and Lights Out Asia, they have still truly managed to create their own particular spaced-out feel, slightly dipped in the universe of shoegaze.
Last Thursday they put up a new, acoustic remake of When I Lived On The Moon, taken from their splendid self-released When The Flowers Were Singing back in 2009. Get your free download here. Kwoon - I Lived On The Moon (acoustic) Kwoon - Great EscapeNew Lovecult demo.
06 Dec 2010 — Tonje Thilesen
The Norwegian shoegazers of Lovecult (whom we wrote about earlier this fall) just put another track up for downloading via their myspace site, which will most likely also end up being featured on their upcoming debut album. Download more dreamy tunes from their Urørt profile.
The Norwegian shoegazers of Lovecult (whom we wrote about earlier this fall) just put another track up for downloading via their myspace site, which will most likely also end up being featured on their upcoming debut album. Download more dreamy tunes from their Urørt profile.
The Old One.
05 Dec 2010 — Henning Lahmann
When we first met, I used to make you laugh.
You raised the stakes, for a lover to stay.
You said I was the sun.
When we had our final fight, you said I ruined
the only meaningful thing you found in your life.
You meant I was the one
You said you never told anyone.
It's what you meant when you said I was the sun.
I didn't know what that meant then I was too young.
The Old One was recorded in October during full moon, it will appear on Teaadora's forthcoming full length Vierge à jamais // Virgin Forever, due sometime in early 2011.
This might well be the most intimate, spellbinding and heart-breaking song I've stumbled across this year. December music.
Teaadora - The Old One
Artwork by Stella Margari.
Read more →
When we first met, I used to make you laugh.
You raised the stakes, for a lover to stay.
You said I was the sun.
When we had our final fight, you said I ruined
the only meaningful thing you found in your life.
You meant I was the one
You said you never told anyone.
It's what you meant when you said I was the sun.
I didn't know what that meant then I was too young.
The Old One was recorded in October during full moon, it will appear on Teaadora's forthcoming full length Vierge à jamais // Virgin Forever, due sometime in early 2011.
This might well be the most intimate, spellbinding and heart-breaking song I've stumbled across this year. December music.
Teaadora - The Old One
Artwork by Stella Margari.