I think the resurgence of the cassette tape has blurred the lines of the 'album'. To say that the new Baby Birds Don’t Drink Milk record, Think Tone, is the band’s third full-length album, is to underrate the band’s stack of limited edition tapes from small cassette labels which has piled up over the past five or six years. Each of those releases between the full-length releases has played an integral part in the band’s wall of noise metamorphosis.
What began as subtle ringing and distant acoustic strums on the band’s first album, Eek Shriek Beak, moved through layers of effect experimentation, to the towering noise of Skeletor & Me. If you are lucky enough to have picked up any of those limited edition tapes between these major releases, you can hear the progression for yourself. If not, the band’s newest full-length, Think Tone, is already sounding like it may provide the perfect middle ground between the differing sounds of the band’s two previous albums.
The new album's first single "Saturday" is a drifting, calm progression of the same soft acoustics that defined Eek Shriek Beak, while still climbing to the towering, distorted heights of Skeletor & Me. It’s the kind of single a band can only come to through years of figuring out how to transfer recorded material to a live set. Baby Birds Don’t Drink Milk have put in the time, and they have the immense catalog of releases to prove it. With "Saturday", the new album is shaping up to be another big step for a band that has already made so many.
Think Tone is out on Brooklyn's Fire Talk on July 9, although they've already begun taking preorders and only 200 of the vinyl is being pressed, so you may want to get on top of ordering it.