Nathaniel Whitcomb x RxRy: “The Birth Of Medusa”.

06 Jan 2012 — Tonje Thilesen
So as I'm sure you all can agree with, Think or Smile's Nathaniel Whitcomb was (and still is) one of the greatest things that happened to montage design last year, always being first out with unique concepts and of course, the ability to pick out the perfect soundscapes for his motion picture experiments. This one however is a little different: "It marries my love for sound, motion, and poetry into one — in the form of video", he says, having collaborated with sound designer and producer RxRy, together creating a stunning piece that asks for a little extra of your senses, and perhaps also mind. ..Again, the man knows how to explain its content in few words: "It should feel as if you've opened an old manuscript and suddenly found yourself in the deep". Enjoy. Read more →

Introducing: Decoder Magazine.

05 Jan 2012 — Henning Lahmann
You might have heard it already: Get Off The Coast, one of the raddest and most reliable sources of delightful interweb radness, is no more. But don't you cry! The folks that brought you the brilliance of GOTC, Jheri Evans and Liz and Dwight Pavlovic, are off to pastures new. While leaving their wonderful cassette imprint Crash Symbols untouched and intact, a whole new media endeavor has been brought into being: Enter Decoder, a website still devoted to the latest hip and fresh in the online musicsphere that most excitingly furthermore comes along with the foundation of an actual printed magazine (remember those?) that aims at nothing less than providing "an attempt to interpret a world of culture and media in which the preeminent players have been the newly liberated human and the ambitious constellation of niche communities that new resources have given us digital beings unparalleled access to". The first edition of Decoder Magazine, which will be published semi-annually, is scheduled for May 2012 and will feature contributions by many of our favorite folks on the world wide web, among many others including my dearest Electronic Beats co-worker and Gucci Goth guru Daniel Jones, former Altered Zones and future Ad Hoc editor Ric Leichtung, ex-Chocolate Bobka mastermind and The Report founder/curator Michael McGregor, Dylan Ettinger, and well, myself. However, to make the whole thing a reality, a little funding is in order, which is why the magazine's founders have started a Kickstarter yesterday - so don't hesitate no longer and head over there, check out the rest of the details including information on the stuff you can get for your money (it's all worth it, promise) and the full list of contributors. In my humble opinion (and not because I'm a tiny little part of this), Decoder Magazines is one of the boldest and most thrilling projects in the DIY sphere of 2012, something seriously worth supporting. Read more →

F.C. Judd: “Electronics Without Tears”.

05 Jan 2012 — Henning Lahmann
After jumping off with two extremely amazing releases, Solitary Pursuits by ADR and Mind Controls The Flood by No UFO's, still fairly new London imprint Public Information dives way deeper into the history of electronic music, thus carrying out their promise to provide a "survey of electronics" from 1950 onwards. The label's latest release is a collection of works by Frederick Charles Judd, an English amateur pioneer of library-like electronic sound experimentation not unlike the oeuvre of BBC Radiophonic Workshop's mastermind Daphne Oram. The 35-track anthology, curated and compiled by the label's founders together with Brighton-based film maker Ian Helliwell (who's been working on a documentary on Judd) and the artist's widow and son, is a strangely captivating journey through the early age of electronic music making - while most individual tracks do not exceed the two-minute mark, everything here is both tremendously worthwhile and highly entertaining. A truly indispensable release. Electronics Without Tears is out January 16 via Public Information. Watch the trailer for Helliwell's film and listen to an album preview below. Read more →

The KVB: “Captives”.

05 Jan 2012 — Henning Lahmann
The thrilling cold-wave tunes of British citizen Klaus Von Barrel aka The KVB are still mildly underappreciated, though now sadly defunct techno label/artist collective Sandwell District showed some well-deserved love for his classic "Into The Night" in their latest (and last) mix that was dropped on New Year's Eve. However, for the time being we may only hope that more folks will cherish the subdued, 80s-dripping synth madness of The KVB, but in any case I'd argue that the project's new ten-track effort Always Then would be a good starting point. Listen to album opener "Captives" below and see for yourself. Highly recommended. Always Then is available now on 12 inch vinyl via Clan Destine Records. In related news, Von Barrel is about to embark on a European Tour, playing at Berlin's King Kong Klub on January 22. For the whole list of dates check this site. There's also a new video for album track "Leaning": Read more →

Video Premiere: Nova Scotian Arms - “Gathering/Composition”.

04 Jan 2012 — Henning Lahmann
Slowly meandering, spaced-out layers of drone and ambient synth pads that at once comfort and subtly unsettle, impressively unfolding arrangements built around encompassing tape loops, gently fading into an invisible, infinite space - with his new record Cult Spectrum, LaGrange, Georgia's Grant Evans' (of Hooker Vision and Quiet Evenings) solo endeavor Nova Scotian Arms has readied a tremendously strong example of contemporary synth experimentalism, a brilliant record of total sonic immersion that marks the first truly essential release of 2012. The superb LP opener "Gathering/Composition" was masterfully visualized by Hobo Cubes' Frank Ouellette aka Moduli TV, perfectly capturing the eerie and contemplative temper of Evans' piece. Watch the video exclusively below. Cult Spectrum is out tomorrow, January 5, on Digitalis. Read more →

Ensemble Economique: “End Scene”.

04 Jan 2012 — Henning Lahmann
Absolutely digging these new, deeply dramatic and literally end scene vibes on Brian Pyle's latest Ensemble Economique track. Not sure if this is already a foretaste of a new EE release, but after making our year-end list for two years in a row, we surely will just keep on keeping an eye on Pyle's ever-amazing Soundcloud. (Photo) Read more →

Teen Runnings: “Why Does Everybody Do?”

04 Jan 2012 — Henning Lahmann
Japanese fuzzy surf-pop outfit Friends had a marvelous yet widely overlooked 10 inch release last year, but as everybody keeps talking about their other Friends, the folks around Shota Kaneko recently decided to change their name into Teen Runnings, which actually might turn out to be a rather wise decision after all. The group has heralded the start of their newish existence by unveiling a few very worthwhile demos - listen to the uplifting and sundrenched beach anthem "Why Does Everybody Do?" below and check some other tunes over here. Teen Runnings - Why Does Everybody Do? Read more →

Ghostandthesong: “Untidy”.

03 Jan 2012 — Henning Lahmann
Enigmatic Ohio sound source Dayvan Zombear has slowly but inexorably been creeping its way into legitimacy with its still fairly new spinoff imprint DZ Tapes, whose third release finally hooked me up. It's Unschärfe / Schimmer, a split tape between New Orleans-based Chris Rehm and most notably Berlin's lo-fi, "neo-surrealistic punk" one-man project Ghostandthesong, who's actually one of the most interesting exponents of the local experimental scene and has been on my watchlist for quite some time now already. Listen to his song "Untidy" below, a droning piece of distorted, gently menacing pop that develops unobtrusively yet beautifully only to collapse in an uncanny swell of noise and mutter. Unschärfe / Shimmer is out on cassette and also available as a free download. Ghostandthesong - Untidy Also check the video for "Dress to Fail": Read more →